Suraiya, Mohammed Rafi's 'Beqarar Hai Koi (with Dialogues)' had a release date set for January 1, 1954. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 22 in the song's album "Shama Parwana (Original Motion Picture Soundtrack)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from India. Beqarar Hai Koi (with Dialogues) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Beqarar Hai Koi (with Dialogues) by Suraiya, Mohammed Rafi having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chal Musafir Chal-Pradeep | Pradeep Kumar | D♭ Minor | 2 | 12A | 107 BPM | ||
| Beparwa Bedardi Pagla Deewana | Hemlata | F♯ Major | 5 | 2B | 93 BPM | ||
| Gham Diya Mustaquil | K. L. Saigal | E♭ Major | 3 | 5B | 68 BPM | ||
| Aawargi Hamari | Talat Aziz | E Major | 5 | 12B | 105 BPM | ||
| Tui Phele Esechhis Kare | Hemant Kumar | F♯ Minor | 3 | 11A | 114 BPM | ||
| Awaz De Kahan Hain | Noorjahan, Surendra, Naushad | E Major | 1 | 12B | 76 BPM | ||
| Khuda Kare Ki Mohabbat Mein | Talat Aziz | D Minor | 6 | 7A | 111 BPM | ||
| Zindagi Ko Sanwarna Hoga | K. J. Yesudas | D Major | 3 | 10B | 102 BPM | ||
| Phir Na Kije Meri Gustakh Nigahi | Mukesh, Asha Bhosle | F♯ Minor | 1 | 11A | 83 BPM | ||
| Bechain Nazar Betab Jigar | Talat Mahmood | B Major | 4 | 1B | 98 BPM | ||
| Mahv-E-Khayal-E-Yaar Hain | Hemlata | D♭ Major | 4 | 3B | 123 BPM | ||
| Bendhechi Beena Gaan Shonabo | Parveen Sultana | G Minor | 3 | 6A | 78 BPM | ||
| Aao Pardesi Saajan | Rajkumari, Suraiya | F Minor | 3 | 4A | 122 BPM | ||
| Jis Raat Ke Khwab Aaye - Habba Khaatoon | Naushad, Mohammed Rafi | D Major | 8 | 10B | 162 BPM | ||
| O Zindagi Ke Denewale | Hemant Kumar | F Minor | 5 | 4A | 72 BPM | ||
| Tumko Sanam Pukar Ke | Sharda | B♭ Minor | 3 | 3A | 93 BPM | ||
| Jagmag Jagmag Si Mehfil | Kishore Kumar, Asha Bhosle | F♯ Major | 7 | 2B | 178 BPM | ||
| Badra Ki Chhaon Tale | Suraiya, Mukesh | E♭ Major | 2 | 5B | 67 BPM | ||
| Jo Ham Pe Guzarti Hai Tanha | Suman Kalyanpur | E♭ Major | 6 | 5B | 104 BPM | ||
| Jhoom Ke Jab Bhi Aa Jata Hai | Vinod Sehgal | B Major | 3 | 1B | 127 BPM | ||
| Ei Mon Sei Gaan Geye Jay | Shyamal Mitra | B Major | 2 | 1B | 99 BPM | ||
| Humne To Dil Ko | Asha Bhosle, Mohammed Rafi | F Major | 4 | 7B | 144 BPM | ||
| Nadiya Mein Lehren Nache | Shyamal Mitra | A♭ Major | 4 | 4B | 125 BPM | ||
| Gham Nahin Kar Muskura (From "Chhoo Mantar") | Geeta Dutt | A♭ Major | 6 | 4B | 121 BPM | ||
| O Aaiyo Main Aaya - 3 | Shahmshad Begum, Pandit Shiv Dayal, S. D. Batish | D♭ Major | 0 | 3B | 71 BPM |