Walt Ribeiro's ' "Bonetrousle (From “Undertale”) [For Orchestra]" was released on its scheduled release date, June 24, 2016. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Bonetrousle (From “Undertale”) [For Orchestra] and no other songs are present in the album, we classify this track as a single. Based on our statistics, Bonetrousle (From “Undertale”) [For Orchestra]'s popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Bonetrousle (From “Undertale”) [For Orchestra] by Walt Ribeiro is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 'Rolling In The Deep' For Orchestra | Adele, Paul Epworth, Walt Ribeiro | A♭ Major | 7 | 4B | 105 BPM | ||
| Goodbyes | Tom Howe | C Major | 4 | 8B | 151 BPM | ||
| They Want You | Nathan Barr, Dimitri Smith | A Minor | 3 | 8A | 94 BPM | ||
| Proven Lands | Jonny Greenwood | G Major | 5 | 9B | 154 BPM | ||
| Snake Eyes | David Holmes | F♯ Minor | 7 | 11A | 125 BPM | ||
| The Taking of Pelham 123 (Main Title) | Czech Philharmonic Chamber Orchestra | B♭ Minor | 7 | 3A | 176 BPM | ||
| Pruit Igoe | Philip Glass | F Major | 2 | 7B | 120 BPM | ||
| 'na sepoltura | Luigi Seviroli, Czech National Symphony Orchestra, Fabio Gurian | E♭ Major | 1 | 5B | 0 BPM | ||
| Wine Safari | Rolfe Kent | F Major | 6 | 7B | 115 BPM | ||
| Haunt | Hildur Guðnadóttir | F Major | 1 | 7B | 104 BPM | ||
| Only the Beginning (Main Title Version) | John Dragonetti | A♭ Major | 5 | 4B | 144 BPM | ||
| What R We Stealing | David Holmes | D Major | 8 | 10B | 127 BPM | ||
| Opening (from Mishima) | Philip Glass | E♭ Major | 3 | 5B | 144 BPM | ||
| The Handle | Chris Benstead, The Chamber Orchestra Of London, Tom Kilworth, Thomas Gould | C Major | 4 | 8B | 111 BPM | ||
| Train Game | Chris Benstead | E Minor | 5 | 9A | 86 BPM | ||
| Presenting to Griffin Mill | Antonio Sánchez | D Minor | 2 | 7A | 117 BPM | ||
| 'Born This Way' For Orchestra | Stefani Germanotta, Fernando Garibay, Paul Blair, Jeppe Breum Laursen, Walt Ribeiro | D Minor | 6 | 7A | 139 BPM | ||
| The Ecstasy Of Gold | Ennio Morricone, Soirée Musique | A Minor | 2 | 8A | 96 BPM | ||
| Assemble (From "The Avengers") | Robert Ziegler | G Major | 3 | 9B | 119 BPM | ||
| The Robot | Philip Glass, Paul Leonard-Morgan | A Minor | 1 | 8A | 172 BPM | ||
| La Traviata: "Intermezzo" | Yuri Sazonoff & Jerry Caringi | B Major | 1 | 1B | 127 BPM | ||
| MegaMan X 'Storm Eagle' For Orchestra | Setsuo Yamamoto, Walt Ribeiro | B Minor | 7 | 10A | 170 BPM | ||
| Hey Ya! | Portland Cello Project | C Major | 7 | 8B | 79 BPM | ||
| SQ II | Walt Ribeiro | G Major | 0 | 9B | 114 BPM | ||
| Turn to the Dark Side | Tom Howe | C Major | 4 | 8B | 151 BPM |