Nishantala Surya Prakash Rao & Gopika Poornima's ' "Mala Manthra" was released on its scheduled release date, May 1, 2004. This song is about six minutes long, preciously at 6:18, making this song fairly long compared to other songs. There are a total of 5 in the song's album "Sri Pratyangira Mala Manthram, Ashtotharanamavali, Gayatri, Sri Soolini Kavacham And Ashtotharam". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Mala Manthra's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Mala Manthra by Nishantala Surya Prakash Rao & Gopika Poornima having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pratyangira Ashtothram | Nishantala Surya Prakash Rao & Gopika Poornima | D Major | 4 | 10B | 129 BPM | ||
| Bhagavad Gita Adhyay, Pt. 17 | Shrirang Bhave | F♯ Major | 4 | 2B | 94 BPM | ||
| Vishwa Abhudaya Mantra | Jitender Singh | E♭ Major | 6 | 5B | 91 BPM | ||
| Saraswati Stuti | Vallari Ambekar, Inner Splendor, Vedika Godbole | B♭ Major | 3 | 6B | 106 BPM | ||
| Trisuparna Manthram | Yashasvi Ramakrishna Sharma, N. V. Krishnan, P. Krishnan | G Major | 3 | 9B | 132 BPM | ||
| Mantra Jabam | T. S. Aswini Sastry, T. S. Rohini Sastry | B Major | 5 | 1B | 83 BPM | ||
| Sri Sani Sthotram | Parupalli Sri Ranganath | A Major | 5 | 11B | 80 BPM | ||
| Slokam | Ramu | A♭ Major | 1 | 4B | 175 BPM | ||
| Chandancharitha | Nishantala Surya Prakash Rao & Gopika Poornima | F♯ Major | 4 | 2B | 170 BPM | ||
| Shree RamChandra Kripalu Bhajman | Rakesh Kumar Sharma, Arti Sharma, Bhavya Sharma, kritika Sharma, Dev Sharma | B Major | 10 | 1B | 149 BPM | ||
| Shri Renuka Ashtak | Aarya Morajkar | A♭ Major | 6 | 4B | 82 BPM | ||
| Anjaneya Dhinam | Nishantala Surya Prakash Rao & Gopika Poornima | B♭ Major | 2 | 6B | 105 BPM | ||
| Navratnam | Hiren Khakhi | A♭ Minor | 5 | 1A | 116 BPM | ||
| Nrisimhashtakam | Prof. Thiagarajan, Sanskrit Scholars | F♯ Major | 5 | 2B | 128 BPM | ||
| Sri Hanumanth Dhyanai | Malola Kannan | C Major | 4 | 8B | 114 BPM | ||
| Sri Mangalaya Sthvam | Malola Kannan | D♭ Major | 4 | 3B | 98 BPM | ||
| Sri Subramanya Swami Karavalambam | Randhnini Roshini | D Major | 3 | 10B | 180 BPM | ||
| Nadi Nadi Girigoguva | Rajashekhar, Krishnegowda, Vijay Ygnanarayana | F Major | 5 | 7B | 123 BPM | ||
| Vandepadam Paramanandamadvayam | Soumya Manoj | B Minor | 4 | 10A | 93 BPM | ||
| Thenmozhi Pennarasi | Madhumitha | G Minor | 5 | 6A | 94 BPM | ||
| Sri Nrisimha Mangalam | T. S. Ranganathan | C Major | 4 | 8B | 91 BPM | ||
| Gayathri Manthram | Mallika Dharnana | F Major | 3 | 7B | 114 BPM | ||
| Rudri Path- Adhyay 9 | Divya Jyoti Jagrati Sansthan | A♭ Major | 5 | 4B | 141 BPM | ||
| Jai Ganesh Deva Aarti | Kedar Pandit | F Major | 4 | 7B | 146 BPM | ||
| Antapuri Bramha Praktale | Jitendra Abhyankar, Tejas Walhekar | E♭ Major | 6 | 5B | 160 BPM |