"Berceuse, Op. 16 - Arr. for Solo Piano by Benfeld" by Gabriel Fauré, Raphaël Epstein had its release date on August 30, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 18 in Berceuses au piano by Raphaël Epstein. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Berceuse, Op. 16 - Arr. for Solo Piano by Benfeld is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berceuse, Op. 16 - Arr. for Solo Piano by Benfeld by Gabriel Fauré, Raphaël Epstein is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Dreamer´S Perspective | Kainny Vig | G Major | 0 | 9B | 67 BPM | ||
| Love Like the Dawn Came Stealing - Duo-Art 6079 | Charles Cadman, Peter Phillips | G Major | 0 | 9B | 67 BPM | ||
| Clair Moment | Woonai | E Minor | 0 | 9A | 79 BPM | ||
| L'hibou | Coen Molenaar, Myllèrí | D Minor | 2 | 7A | 122 BPM | ||
| Schlafe, Mein Prinzchen | Bernhard Flies, Peter Breiner | F Major | 0 | 7B | 73 BPM | ||
| walk down the hallway | Dorian Pembroke | C Minor | 1 | 5A | 75 BPM | ||
| The Scent of Old Letters | Woonai | A Minor | 1 | 8A | 112 BPM | ||
| Our Angels | Sadah Love | G Major | 0 | 9B | 67 BPM | ||
| 10PM in July | Josh Taylor | G Major | 0 | 9B | 67 BPM | ||
| Blissful Beach Relaxation - Piano Version | Pia Solo, AudioBay, Vprod Music | G Major | 1 | 9B | 83 BPM | ||
| Dolly Suite, Op. 56: I. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 63 BPM | ||
| Afternoon Tea | Sunday Piano | A Major | 1 | 11B | 85 BPM | ||
| Dust and Dawn | Woonai | A♭ Minor | 1 | 1A | 101 BPM | ||
| 24 Preludes, Op. 11: No. 8 in F-Sharp Minor. Allegro agitato | Alexander Scriabin, Mikhail Pletnev | G Major | 0 | 9B | 74 BPM | ||
| When You Were Near | Piano Fantasy | B♭ Major | 1 | 6B | 165 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| Fading in Blue | Woonai | F Minor | 3 | 4A | 132 BPM | ||
| Somewhere over the Rainbow | Samuel Scott King | G Major | 0 | 9B | 69 BPM | ||
| Debussy: Petite Suite ~ En Bateau | Anthony & Joseph Paratore | G Major | 0 | 9B | 67 BPM | ||
| Three Intermezzi, Op. 117: No. 1, Andante moderato | Johannes Brahms, Anthony Romaniuk | A♭ Major | 1 | 4B | 134 BPM | ||
| Infinito della scoperta | Michele Damiano Signorile, Mirko Signorile | F♯ Major | 1 | 2B | 86 BPM | ||
| ラプソディ・イン・ブルー | Shintaro Aoki | E♭ Major | 2 | 5B | 141 BPM | ||
| Gnossienne No. 2 | Erik Satie, Alistair McGowan | F Major | 0 | 7B | 102 BPM | ||
| Everything in a Smile | Martín Lizama | G Major | 0 | 9B | 67 BPM | ||
| 6 Romances, Op. 28 TH 99: No. 3, Why? (Arr. for Piano by Peter Breiner) | Pyotr Ilyich Tchaikovsky, Peter Breiner | D Major | 0 | 10B | 104 BPM |