"Silence Echoes" by Pauline Oliveros, Randy Raine-Reusch had its release date on January 1, 1997. This song appears to be safe for all ages as it is not explicit. The track order of this song in Pauline Oliveros, Randy Raine-Reusch's "In the Shadow of the Phoenix" album is number 3 out of 4. On top of that, United Kingdom appears to be the country where this track was created. Silence Echoes is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Silence Echoes by Pauline Oliveros, Randy Raine-Reusch to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Paura Nel Cuore | Marina Frescobaldi | A Major | 2 | 11B | 128 BPM | ||
| Last Night The Moon Came | Jon Hassell | E Minor | 1 | 9A | 80 BPM | ||
| Tremper | Randy Raine-Reusch, Joe Mcphee, Stuart Dempster, Pauline Oliveros, David Gamper, Deep Listening Band | D♭ Major | 2 | 3B | 170 BPM | ||
| Closeness | Saryed | D♭ Major | 9 | 3B | 84 BPM | ||
| Mass Action | Triple Point, Pauline Oliveros, Doug Van Nort, Jonas Braasch | E♭ Major | 1 | 5B | 113 BPM | ||
| Immobilité | Delphine Dora | A Minor | 1 | 8A | 130 BPM | ||
| Old Sound, New Sound, Borrowed Sound Blue | N/A, Pauline Oliveros | E Major | 7 | 12B | 87 BPM | ||
| In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello | Georg Friedrich Haas, Ensemble Recherche | G Minor | 0 | 6A | 127 BPM | ||
| Summon the Ghost Horses | Laura Cannell | D♭ Major | 1 | 3B | 70 BPM | ||
| Magdalena | Sarah Davachi | G Major | 0 | 9B | 72 BPM | ||
| Holocaust In Memoriam, Symphony: I. Preludio, Pt. 1 (Live) | Maya Badian, Romanian National Radio Orchestra, Ludovic Bács | G Minor | 3 | 6A | 73 BPM | ||
| Model 2 | Karlheinz Stockhausen, Electric Phoenix | E Minor | 0 | 9A | 87 BPM | ||
| Snåcko | Jeremiah Chiu, Marta Sofia Honer | C Major | 3 | 8B | 80 BPM | ||
| Non Qui Ora | Thelma | D♭ Major | 1 | 3B | 70 BPM | ||
| Poème Electronique | Edgard Varèse | A♭ Major | 0 | 4B | 70 BPM | ||
| Synergistic Perceptions | B. Lustmord, Robert Rich | B Major | 2 | 1B | 73 BPM | ||
| Percussion in Nonspace | Christina Vantzou | C Major | 3 | 8B | 66 BPM | ||
| Roi et | Deep Listening Band, Randy Raine-Reusch, Joe Mcphee | B♭ Major | 1 | 6B | 69 BPM | ||
| Drums | Laurie Spiegel | B Minor | 4 | 10A | 160 BPM | ||
| Feedback Zwei | Keith Fullerton Whitman | D Major | 0 | 10B | 0 BPM | ||
| Police Police Police Police Police | David Moore, Bing & Ruth | D♭ Minor | 1 | 12A | 79 BPM | ||
| High Tide | Jake Muir | F♯ Minor | 4 | 11A | 100 BPM | ||
| Meta Incognita | Thomas Köner | A♭ Major | 0 | 4B | 137 BPM | ||
| The Last Time | Pauline Oliveros | A Minor | 0 | 8A | 82 BPM | ||
| Care Bear | Baby Cello | A Minor | 0 | 8A | 70 BPM |