"Angel of Verdun (From 'Edge of Tomorrow') - Instrumental Mix" by The Evolved had its release date on July 31, 2014. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Singularity". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Angel of Verdun (From 'Edge of Tomorrow') - Instrumental Mix is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Angel of Verdun (From 'Edge of Tomorrow') - Instrumental Mix by The Evolved having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Still In This Fight | Steven Price | F Minor | 5 | 4A | 130 BPM | ||
| Interstellar (Epic Orchestral) | Mathias Fritsche | A Minor | 4 | 8A | 111 BPM | ||
| No Place for No Hero (From "Borderlands 2") - Intrumental Rock Mix | The Evolved | A Major | 7 | 11B | 140 BPM | ||
| Burying the Dead | Kevin Kiner | D Major | 2 | 10B | 67 BPM | ||
| Listen to the Beethoven | Mark Isham | C Major | 2 | 8B | 128 BPM | ||
| Farewell Life (Arn Andersson Remix) | Christoffer Hagman, Arn Andersson, Nights Amore | B♭ Minor | 1 | 3A | 115 BPM | ||
| Meeting Bruce Wayne | Hildur Guðnadóttir | F♯ Minor | 4 | 11A | 100 BPM | ||
| Underground / Storm | Burkhard Dallwitz | F♯ Major | 3 | 2B | 114 BPM | ||
| Tech 49 | M83, Joseph Trapanese | G Major | 3 | 9B | 104 BPM | ||
| Battlefield One | Johan Söderqvist, Patrik Andrén | B♭ Minor | 3 | 3A | 140 BPM | ||
| Roswell Main Theme (From "Roswell") | The Evolved | A Minor | 10 | 8A | 173 BPM | ||
| Praying | Rupert Gregson-Williams | A Minor | 4 | 8A | 83 BPM | ||
| Statues | Alexandre Desplat | D♭ Major | 2 | 3B | 129 BPM | ||
| Theme from Call of Duty Black Ops II - Orchestral Mix | Jack Wall | C Major | 4 | 8B | 136 BPM | ||
| Boom Bewm (From "Borderlands 2") - Killstreak Rock Mix | The Evolved | G Major | 6 | 9B | 81 BPM | ||
| The Catacombs | Samurai Jack | C Major | 9 | 8B | 90 BPM | ||
| The Last of Us | Gustavo Santaolalla | E Minor | 5 | 9A | 155 BPM | ||
| Meeting the Others | West Dylan Thordson | E♭ Minor | 1 | 2A | 139 BPM | ||
| Suns and Stars | Really Slow Motion | C Major | 3 | 8B | 114 BPM | ||
| Liberation | A.R. Rahman | B♭ Major | 8 | 6B | 110 BPM | ||
| In the House In a Heartbeat | Metro Exodus, FFM | D Minor | 5 | 7A | 75 BPM | ||
| The Door Is Open | Dominic Lewis | C Minor | 4 | 5A | 113 BPM | ||
| Prologue "We Push.." | Johan Söderqvist, Patrik Andrén | B♭ Minor | 3 | 3A | 64 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| Message to Morgan | Bear McCreary | D Minor | 2 | 7A | 91 BPM |