- BPM
- 142
- Key
- D Minor
- Camelot
- 7A
Concertino for Clarinet and Strings (Mvt II) by Charles Camilleri, jessicaellulmusic Song Details
"Concertino for Clarinet and Strings (Mvt II)" by Charles Camilleri, jessicaellulmusic had its release date on December 9, 2020. This song is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The track order of this song in jessicaellulmusic's "Mewga (A Collection of Maltese Works for Clarinet Solo)" album is number 2 out of 11. Based on our statistics, Concertino for Clarinet and Strings (Mvt II)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Concertino for Clarinet and Strings (Mvt II) by Charles Camilleri, jessicaellulmusic to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
Music Key
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 9%
- Loudness
- -29.8 dB
- Acousticness
- 96%
- Danceability
- 21%
- Energy
- 3%
- Instrumentalness
- 62%
- Liveness
- 8%
- Loudness
- 50%
- Speechiness
- 4%
- Valence
- 6%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Brideshead Revisited Theme | Geoffrey Burgon | F Major | 1 | 7B | 147 BPM | |
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 | Cavatina | Stanley Myers, Göran Söllscher | E Major | 0 | 12B | 82 BPM | |
 | Norma / Act I: "Casta Diva" (Arr. by Mathieu Herzog for Cello and Orchestra) | Vincenzo Bellini, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | F Major | 1 | 7B | 91 BPM | |
 | Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | |
 | An die Musik, D. 547 | Franz Schubert, Daniel Hope, Christoph Israel | D Major | 1 | 10B | 126 BPM | |
 | Fort Saganne | Philippe Sarde, Renaud Capuçon, Les Siècles, Duncan Ward | D Major | 2 | 10B | 83 BPM | |
 | Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. Andante (Excerpt) | Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra | E♭ Major | 1 | 5B | 82 BPM | |
 | Mahler Adagietto Variation (From Symphony No. 5 in C-Sharp Minor, Arr. for Violin and Piano by Jan-Peter Klöpfel) | Gustav Mahler, Gabriele Bagnati, Esther Abrami | F Major | 2 | 7B | 82 BPM | |
 | Sospiri, Op. 70 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 177 BPM | |
 | Saeterjentens Sondag | Johan Svendsen, Neeme Järvi, Bergen Philharmonic Orchestra, Melina Mandozzi | D Major | 0 | 10B | 95 BPM | |
 | 3 Songs, Op. 7: I. Après un rêve (Version for Violin and Piano) | Gabriel Fauré, María Dueñas, Itamar Golan | D Major | 1 | 10B | 87 BPM | |
 | Als die alte Mutter mich noch lehrte singen, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | B♭ Major | 1 | 6B | 107 BPM | |
 | Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | |
 | Notre Dame - Intermezzo | Herbert von Karajan | G Major | 2 | 9B | 118 BPM | |
 | Salut d'amour, Op. 12 | Edward Elgar, Nicola Benedetti, Petr Limonov | E Major | 1 | 12B | 73 BPM | |
 | Rusalka, Op. 114, Act I: Song to the Moon | Antonín Dvořák, Pablo Ferrandez, Martin Fröst, Swedish Chamber Orchestra | D Minor | 1 | 7A | 109 BPM | |
 | Chaplin: Swing High Little Girl (Arr. Lehn for Trumpet and Orchestra) | Charlie Chaplin, Lucienne Renaudin Vary, Sascha Goetzel, Orchestre de chambre de Paris | F Major | 1 | 7B | 111 BPM | |
 | When I Am Laid in Earth | Henry Purcell, United Strings of Europe, Julian Azkoul | G Minor | 0 | 6A | 83 BPM | |
 | II. Carol | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Minor | 0 | 5A | 128 BPM | |
 | In trutina from Carmina Burana | Carl Orff, Joshua Bell, Michael Stern | D Major | 1 | 10B | 93 BPM | |
 | V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | |
 | Brahms Symphony No. 3 - 3rd Movement | John Keating/London Symphony Orchestra | C Minor | 1 | 5A | 116 BPM | |
 | Requiem: VII. Lacrimosa | Karl Jenkins | A Minor | 1 | 8A | 131 BPM | |
 | Piano Concerto No. 2 in A-Flat Major, H. 31: II. Poco adagio | John Field, Miceal O'Rourke, Matthias Bamert, London Mozart Players | A Major | 1 | 11B | 116 BPM |
- ISRC
- QZNWX2033817
- Label
- L-M Records/RCA Records