"21st September 2014" by An Imaginal Space had its release date on September 21, 2014. This song is about six minutes long, preciously at 6:18, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Sunday Seascapes Volume Two". In this album, this song's track order is #8. 21st September 2014 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 21st September 2014 by An Imaginal Space having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dissolving Patterns | Ebb & Flod | D♭ Major | 1 | 3B | 140 BPM | ||
| Attesa - Nils Frahm Rework | Balmorhea | F Minor | 4 | 4A | 120 BPM | ||
| Running By The Roads, Running By The Fields | Library Tapes, Julia Kent | D Minor | 2 | 7A | 122 BPM | ||
| To Finally Be Seen | Rhiannon Bannenberg | A♭ Minor | 0 | 1A | 71 BPM | ||
| Exit Strategy | Exist Strategy, Air Shaper | B Minor | 1 | 10A | 69 BPM | ||
| Hands, Be Still | Ólafur Arnalds | D Minor | 1 | 7A | 79 BPM | ||
| When You Leave | Sergey Cheremisinov | F Major | 1 | 7B | 83 BPM | ||
| Piano Textures 3 V | Bruno Sanfilippo | B♭ Major | 1 | 6B | 118 BPM | ||
| Evolved | Hannes Kretzer | A♭ Major | 3 | 4B | 82 BPM | ||
| A Web Of Lies | August Wilhelmsson | F Minor | 1 | 4A | 97 BPM | ||
| I Dreamed of Choirs Slow and Steady, the Song Was Ours, Its Woe Was Heavy | Aural Method | E Major | 2 | 12B | 75 BPM | ||
| Torch | Olfy | A Minor | 6 | 8A | 114 BPM | ||
| Love Woke Me Up | Danny Norbury | G Major | 1 | 9B | 72 BPM | ||
| Flames of Blue | Justin Hunter | D♭ Major | 1 | 3B | 110 BPM | ||
| Rococo | Brique a Braq | B♭ Minor | 2 | 3A | 131 BPM | ||
| An Ending | Peter Broderick | D Major | 0 | 10B | 85 BPM | ||
| Blue Rose on a Windowsill | Slow Meadow | A Minor | 1 | 8A | 83 BPM | ||
| Another Day, Still Drifting | Lisa Spark | F Major | 1 | 7B | 90 BPM | ||
| The Prescribed Individual | Olan Mill | D Minor | 0 | 7A | 75 BPM | ||
| The Swimmer | Phil France | B Major | 1 | 1B | 120 BPM | ||
| Inflatable | Michelle | B♭ Major | 0 | 6B | 120 BPM | ||
| Loft | Jacob David | E♭ Major | 1 | 5B | 115 BPM | ||
| Battles - Lambert Rework | DNKL | D Minor | 2 | 7A | 151 BPM | ||
| Kväll | Peter Sandberg | E♭ Minor | 1 | 2A | 75 BPM | ||
| Endless Pt. 1 | Peter Sandberg | A Major | 1 | 11B | 70 BPM |