Douglas Schultz, Riccardo Drigo's ' "Centre Tendu (from Harlequinade)" was released on its scheduled release date, August 23, 1998. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 25 in Ballet Class Music from New York City: Music from Company Class, Vol. 1 by Douglas Schultz. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Centre Tendu (from Harlequinade) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Centre Tendu (from Harlequinade) by Douglas Schultz, Riccardo Drigo is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fondu (Swan Lake) | Nate Fifield | D♭ Major | 1 | 3B | 92 BPM | ||
| Say My Name (Grand Battement) [Slower] | A Dancer's Delight | C Minor | 3 | 5A | 140 BPM | ||
| Grand Plié (from Don Quixote) | Douglas Schultz, Ludwig Minkus | G Major | 1 | 9B | 115 BPM | ||
| Facing the Barre (Contiguous, No Repeat) 3/4 [64], 2/4 [64], 6/8 [16] | Tatyana Grigoryants | F Major | 3 | 7B | 74 BPM | ||
| Battement Tendu - Hernando’s Hideaway | Christopher N Hobson | E Major | 1 | 12B | 125 BPM | ||
| Delilah (Grand Battement) | Charles Mathews | G Major | 3 | 9B | 174 BPM | ||
| Pirouette 1 (Swan Lake) | Nate Fifield | G Major | 1 | 9B | 156 BPM | ||
| Battement Tendu, Degage. Moderate 2/4, 32 Measures, 8-8's | Finis Jhung & Bill Brown | B♭ Major | 1 | 6B | 163 BPM | ||
| Pliés 4/4: I've Got You Under My Skin (From "Born to Dance") | Margot Kazimirska | E♭ Major | 2 | 5B | 132 BPM | ||
| Battement Tendus 3 (Medium) - Dream a little Dream of me (Directed by Eunseok, Shin) | Ballet pianist Mia | B Major | 1 | 1B | 69 BPM | ||
| Grand Battement - 4/4 | Venti Petrov, Ferdy Tumakaka | A Major | 4 | 11B | 119 BPM | ||
| Blue Moon Waltz (Pirouettes1) | Miwa Hoshi | D Major | 1 | 10B | 72 BPM | ||
| Adagio 2 3x4 | Jorge L. Martínez | G Major | 4 | 9B | 140 BPM | ||
| Warm-Up Ex. 3/4: By Candlelight (From "Flame & the Flesh") | Margot Kazimirska | C Major | 3 | 8B | 98 BPM | ||
| Stretch 3/4 64 Counts | Marina Stolyar | E Major | 1 | 12B | 81 BPM | ||
| Ports de Bras: Celtic Homeland | Gill Civil | B Minor | 1 | 10A | 115 BPM | ||
| Rond de jamb á terre in E-Major | Konstantin Mortensen | B Major | 1 | 1B | 137 BPM | ||
| Rond De Jambea Terre, En L'air. Slow 2/4, 32 Measures, 8-8's | Finis Jhung & Bill Brown | C Major | 0 | 8B | 80 BPM | ||
| Petit Allegro 2 - One | Christopher N Hobson | A♭ Major | 1 | 4B | 80 BPM | ||
| Warming-up | 지하영 | A♭ Major | 3 | 4B | 122 BPM | ||
| Grand Battements: Barre Technique | David Howard, Joe Cross | F Major | 2 | 7B | 129 BPM | ||
| Pas Couru Pointe. Metre 4/4. | Vadim Proshich, MetodoVadim | B Major | 0 | 1B | 171 BPM | ||
| Battement Tendu with Plié 3/4 [32 Measures & Repeat] | Tatyana Grigoryants | F Major | 2 | 7B | 90 BPM | ||
| Grand battement | Søren Bebe | F Major | 2 | 7B | 116 BPM | ||
| Battements Jetes 2 (Quick) | Tanya Gordon | B♭ Major | 1 | 6B | 95 BPM |