"Quiet Now" by Deborah Brown had its release date on January 1, 1987. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 9 in Deborah! by Deborah Brown. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, Quiet Now is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quiet Now by Deborah Brown is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ghosts of the Block | renny 3l fantasma | B♭ Minor | 6 | 3A | 105 BPM | ||
| Spring Can Really Hang You up the Most | Sinne Eeg, Jacob Fischer, Jacob Christoffersen, Chris Minh Doky, Rasmus Kihlberg | B Minor | 1 | 10A | 80 BPM | ||
| Don'cha Go Way Mad | Donna Byrne | C Minor | 2 | 5A | 129 BPM | ||
| evergreen dreams | eire music | B♭ Major | 3 | 6B | 144 BPM | ||
| Matchstick Moments | Frank Miller Jazz Band | B♭ Major | 1 | 6B | 128 BPM | ||
| 625 | Deborah Brown | F Major | 6 | 7B | 181 BPM | ||
| Morning Brews | Breakfast Jazz | C Major | 0 | 8B | 80 BPM | ||
| Tabarin Olimpo (Big Band Version) | Bob Salmieri Bastarduna Quintet, Mary Ann Palermo, Pasquale Innarella | A Minor | 3 | 8A | 180 BPM | ||
| Afterwards | Matthew McDonald | F Major | 4 | 7B | 99 BPM | ||
| Hushed Jazz Tales | Jazz Cafè | B♭ Minor | 5 | 3A | 157 BPM | ||
| Come Rain or Come Shine | Kristin Korb, Magnus Hjorth, Snorre Kirk | F Major | 4 | 7B | 78 BPM | ||
| Le tue mani | Jazzitalyando Trio | F♯ Major | 6 | 2B | 83 BPM | ||
| Immaculate | Orión Natera | C Major | 3 | 8B | 125 BPM | ||
| Casino Lisboa - Stoopify Mix | New Swing Orchestra, José Côrte-Real | A♭ Major | 6 | 4B | 97 BPM | ||
| Les yeux ouverts (Dream a little dream of me) | Piera Acone, Marco Castelli M&S Band | B♭ Minor | 3 | 3A | 106 BPM | ||
| Storm of the Century | León Areíto | E♭ Major | 3 | 5B | 140 BPM | ||
| Sun, See Through Me (feat. John Ellis, Donald Edwards, Greg Bryant & Helen Sung) | Dara Tucker, John Ellis, Donald Edwards, Greg Bryant, Helen Sung | G Minor | 3 | 6A | 106 BPM | ||
| I Can Tell | Olivia Van Goor, Josie Ala | A♭ Major | 6 | 4B | 114 BPM | ||
| Washington Square Park | Jim Pearce | C Minor | 2 | 5A | 68 BPM | ||
| It's Over Now | Judy Niemack, Kenny Barron | A Minor | 2 | 8A | 99 BPM | ||
| SMILING TEARS (for Toots) | Fay Claassen | G Major | 1 | 9B | 135 BPM | ||
| Rowboat Barback | Rosalie Jazz | G Minor | 3 | 6A | 120 BPM | ||
| Triunfante reinvidicación | Eterna Ceniza | B♭ Major | 1 | 6B | 128 BPM | ||
| The Savior | AethericArtisan | C Major | 4 | 8B | 125 BPM | ||
| La bassa | Irene Reig | D Major | 1 | 10B | 120 BPM |