Traditional, Eugene Ormandy's 'Adeste Fideles (O Come, All Ye Faithful)' had a release date set for 1987. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Eugene Ormandy's "Joy To The World" album is number 10 out of 19. On top of that, United States appears to be the country where this track was created. In terms of popularity, Adeste Fideles (O Come, All Ye Faithful) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Adeste Fideles (O Come, All Ye Faithful) by Traditional, Eugene Ormandy to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cantate Domino canticum novum | Hans Leo Hassler, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 129 BPM | ||
| Bells of St. Mary's (arr. for Handbells by Grosmont Handbell Ringers) | Traditional, Grosmont Handbell Ringers | B Major | 0 | 1B | 85 BPM | ||
| Natus Es Parvulus (douce Nuit) | L'Accroche-Choeur, Ensemble Vocal Fribourg | D Major | 1 | 10B | 135 BPM | ||
| Ave Maria | Franz Biebl, Christopher Bell, National Youth Choir of Scotland | B♭ Major | 1 | 6B | 65 BPM | ||
| Takach: ’Twas in the Moon of Wintertime | Timothy C. Takach, Ames Chamber Artists | G Major | 1 | 9B | 91 BPM | ||
| Russian Winter | Yury Kunets, Münchner Symphoniker, Lee Holdridge | B♭ Major | 3 | 6B | 134 BPM | ||
| Be Thou My Vision | 32 Great Hymns Of Faith Performers, The Scottish Festival Singers, Pro Musica, St. Michael's Singers | E Major | 1 | 12B | 124 BPM | ||
| Even When He Is Silent | Kim André Arnesen, Kantorei, Joel Rinsema | A Minor | 5 | 8A | 125 BPM | ||
| Romanzen, Book 1, Op. 69: No. 6, Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 130 BPM | ||
| Ideo Gloria | Lydia McCauley | D Major | 3 | 10B | 119 BPM | ||
| The Lamb | Kim André Arnesen, Kantorei, Joel Rinsema | D Major | 2 | 10B | 102 BPM | ||
| Stella Natalis: II. Lullay | Karl Jenkins | C Major | 0 | 8B | 170 BPM | ||
| Tantum ergo, WAB 32 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | ||
| Hor Che La Vaga Aurora | Cappella Clausura | D Major | 2 | 10B | 104 BPM | ||
| Veni Veni Emmanuel | The Schola Cantorum of St. John XXIII Parish | C Major | 2 | 8B | 79 BPM | ||
| Calm Me, O Lord | Margaret Rizza, Kevin Mayhew Ltd | D Major | 1 | 10B | 137 BPM | ||
| Halleluja | Melchior Vulpius, Gunnar Mørch, Sandefjord Jentekor, Sverre Valen | C Major | 1 | 8B | 94 BPM | ||
| Sancta Fides | Nova Schola Gregoriana, St. Peter St. Paul Cathedral Choir of Minsk, Institute of Christ the King Sovereign Priest, Elaria, Schola Antiqua | B♭ Minor | 1 | 3A | 142 BPM | ||
| Ave sanctissima Maria: Ave Sanctissima Maria | Juan de Anchieta, Loreto Fernandez Imaz, Capilla Peñaflorida, Ministriles de Marsias, Josep Cabre | A Minor | 1 | 8A | 77 BPM | ||
| Jesu, Son Most Sweet and Dear, from Anniversary Carols | Jackson Berkey, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | A♭ Major | 1 | 4B | 112 BPM | ||
| Alleluia jubilate | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| Spaseniye Sodelal | University Of Pretoria Camerata | D♭ Major | 1 | 3B | 71 BPM | ||
| Burial Sentences: III. We Brought Nothing Into This World | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 0 | 4A | 88 BPM | ||
| Twinkle, Twinkle, Little Star | Daniel Elder, Westminster Choir, Joe Miller | D Major | 0 | 10B | 81 BPM | ||
| O Light Unfading - pt I | The Celebration Choir, The Majesty And Glory Performers, Blessed Assurance Favorite Hymns Of Inspiration And Hope Performers, Classic Choral Hymns Ensemble | F♯ Major | 0 | 2B | 75 BPM |