See-Saw's ' "黄昏の海" was released on its scheduled release date, 2003. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 13 in Dream Field by See-Saw. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. The popularity of 黄昏の海 is currently below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 黄昏の海 by See-Saw is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| disillusion | タイナカ サチ | A♭ Major | 9 | 4B | 168 BPM | ||
| SCOPE | MELL | C Major | 8 | 8B | 115 BPM | ||
| 真実の黙示録 | Yoko Takahashi | F♯ Minor | 9 | 11A | 125 BPM | ||
| MIDNIGHT BLUE | Megumi Hayashibara | F Major | 9 | 7B | 160 BPM | ||
| 愛し子よ | RURUTIA | A♭ Major | 6 | 4B | 81 BPM | ||
| Shojo Meiro de Tsukamaete | 美郷あき | B Major | 10 | 1B | 136 BPM | ||
| This Silence Is Mine | Chihiro Onitsuka | B Minor | 7 | 10A | 156 BPM | ||
| エルの楽園 [→ side:A →] | Sound Horizon | G Major | 5 | 9B | 176 BPM | ||
| salva nos | 貝田由里子 | B Major | 10 | 1B | 150 BPM | ||
| この狭い鳥籠の中で | Sound Horizon | D Major | 5 | 10B | 128 BPM | ||
| 冥夜花伝廊 | 栗林みな実 | C Major | 10 | 8B | 168 BPM | ||
| もしも君が願うのなら | May'n | D♭ Major | 7 | 3B | 176 BPM | ||
| 赤と黒 | Ali Project | E♭ Major | 10 | 5B | 128 BPM | ||
| ebullient future(English) | Elisa | C Minor | 10 | 5A | 165 BPM | ||
| 星に花、灰色の雨 | RURUTIA | C Minor | 8 | 5A | 130 BPM | ||
| DANZAI NO HANA 〜Guilty Sky〜 | Riyu Kosaka | E♭ Minor | 10 | 2A | 180 BPM | ||
| 産巣日の時 | Haruka Tomatsu | A Minor | 4 | 8A | 172 BPM | ||
| トロイメライ | RURUTIA | A♭ Major | 6 | 4B | 156 BPM | ||
| 朝と夜の物語 | Sound Horizon | A Minor | 8 | 8A | 95 BPM | ||
| JUSTICE | TWO-MIX | G Minor | 9 | 6A | 145 BPM | ||
| 時の砂漠 | Mika Arisaka | D Minor | 6 | 7A | 80 BPM | ||
| Suppuration -core- | KOTOKO | B Minor | 10 | 10A | 135 BPM | ||
| NERVE | See-Saw | F Minor | 9 | 4A | 116 BPM | ||
| 永遠の花 | 石田燿子 | A♭ Major | 5 | 4B | 82 BPM | ||
| キミと夜空と坂道と | いとうかなこ | D♭ Major | 9 | 3B | 163 BPM |