Maxine Sullivan's ' "Between the Devil and the Deep Blue Sea" was released on its scheduled release date, 1978. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Between the Devil and the Deep Blue Sea's duration is considered a little bit shorter than the average duration of a typical track. This song is part of We Just Couldn't Say Goodbye by Maxine Sullivan. The song's track number on the album is #11 out of 24 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Between the Devil and the Deep Blue Sea's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Between the Devil and the Deep Blue Sea by Maxine Sullivan has a tempo of 134 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Between the Devil and the Deep Blue Sea being at 134 BPM, the half-time would be 67 BPM with a double-time of 268 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Memories of You | Maxine Sullivan | A♭ Major | 2 | 4B | 75 BPM | ||
| So Rare | Carroll Gibbons, The Savoy Hotel Orpheans | C Major | 2 | 8B | 122 BPM | ||
| You Hit the Spot | Putney Dandridge | B♭ Major | 3 | 6B | 165 BPM | ||
| The Patty Cake Man | Ella Mae Morse | F Major | 1 | 7B | 73 BPM | ||
| If I Had a Ribbon Bow | John Kirby and His Orchestra | A Major | 1 | 11B | 105 BPM | ||
| Blue River | Bix Beiderbecke | E♭ Major | 2 | 5B | 74 BPM | ||
| Seems Like Old Times | Vaughn Monroe | B Minor | 2 | 10A | 115 BPM | ||
| Street of Dreams | Lee Wiley | B♭ Minor | 1 | 3A | 90 BPM | ||
| A Cigarette and a Silhouette | Mildred Bailey | F Major | 1 | 7B | 73 BPM | ||
| It Was a Lover and His Lass | Maxine Sullivan | B♭ Major | 0 | 6B | 108 BPM | ||
| A Little Bird Told Me | Evelyn Knight, The Stardusters | C Major | 3 | 8B | 182 BPM | ||
| A Nice Cup Of Tea | Joe Loss & His Orchestra | A♭ Major | 1 | 4B | 96 BPM | ||
| Night and Day - Remastered | Maxine Sullivan | C Major | 0 | 8B | 103 BPM | ||
| Monday Morning | Teddy Grace, Jack Teagarden | F Major | 1 | 7B | 114 BPM | ||
| St. Louis Blues | Maxine Sullivan | C Major | 2 | 8B | 139 BPM | ||
| Manhattan | Annie Ross | D Major | 1 | 10B | 122 BPM | ||
| Oh Look at Me Now | Lee Wiley | D♭ Major | 1 | 3B | 89 BPM | ||
| Where Was I? (From "'Til We Meet Again") | Charlie Barnet & His Orchestra | A♭ Major | 3 | 4B | 126 BPM | ||
| If I Could Be with You (One Hour Tonight) | Kay Starr | F Major | 1 | 7B | 73 BPM | ||
| Vecinos que se preocupan | Cromatica nocturna | A♭ Major | 2 | 4B | 72 BPM | ||
| Coffee in the Morning (And Kisses in the Night) | Lew Stone | A♭ Major | 2 | 4B | 108 BPM | ||
| Get out and Get Under the Moon | Maxine Sullivan, Bob Haggart, Ike Isaacs, Dardanelle, Sil Austin | A♭ Major | 2 | 4B | 116 BPM | ||
| It's Bad For Me | Jeri Southern | E♭ Major | 3 | 5B | 123 BPM | ||
| Coquette | Rose Murphy | C Major | 2 | 8B | 131 BPM | ||
| It's a Lonesome Old Town | Helen O'Connell | C Minor | 1 | 5A | 69 BPM |