"Thirty and Seven" by August Burns Red had its release date on 2010. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in August Burns Red's "Home" album is number 9 out of 15. On top of that, United States appears to be the country where this track was created. The popularity of Thirty and Seven is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Thirty and Seven by August Burns Red to be Presto (very, very fast) because the track has a tempo of 193 BPM, a half-time of 96BPM, and a double-time of 386 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hard Branch to Snap | This Or The Apocalypse | B Minor | 10 | 10A | 105 BPM | ||
| Focus Shall Not Fail | All That Remains | D Minor | 10 | 7A | 110 BPM | ||
| Divergency | Born Of Osiris | D♭ Major | 10 | 3B | 165 BPM | ||
| The Worst in Me | Like Moths To Flames | D Minor | 9 | 7A | 81 BPM | ||
| Second & Sebring | Of Mice & Men | F♯ Minor | 8 | 11A | 170 BPM | ||
| The Lines | Beartooth | D♭ Major | 10 | 3B | 108 BPM | ||
| Black Gold Reign | All Shall Perish | E♭ Minor | 10 | 2A | 110 BPM | ||
| Blood Brothers | Oceans Ate Alaska | F♯ Minor | 10 | 11A | 145 BPM | ||
| Mire | After The Burial | D♭ Major | 10 | 3B | 200 BPM | ||
| In Regards To Myself | Underoath | B♭ Major | 10 | 6B | 160 BPM | ||
| Pandora | Fit For An Autopsy | B♭ Minor | 10 | 3A | 104 BPM | ||
| Avalanche | The Ghost Inside | B♭ Minor | 10 | 3A | 115 BPM | ||
| Endseekers | Oh, Sleeper | F Major | 9 | 7B | 120 BPM | ||
| Vices | Memphis May Fire | F Minor | 10 | 4A | 145 BPM | ||
| The Purest Strain Of Hate | Thy Art Is Murder | B Major | 10 | 1B | 135 BPM | ||
| You're Ever So Inviting | Underoath | D Minor | 10 | 7A | 180 BPM | ||
| White Livered | Phinehas | B Minor | 10 | 10A | 115 BPM | ||
| Escapist | Oceans Ate Alaska | G Major | 8 | 9B | 116 BPM | ||
| The Other | Within The Ruins | F Minor | 10 | 4A | 145 BPM | ||
| Six | All That Remains | D Minor | 10 | 7A | 97 BPM | ||
| Confined | As I Lay Dying | C Major | 10 | 8B | 86 BPM | ||
| Tunguska | Darkest Hour | D Minor | 9 | 7A | 108 BPM | ||
| Wildfire | Periphery | A♭ Major | 10 | 4B | 145 BPM | ||
| Scarlet | Periphery | B♭ Minor | 10 | 3A | 105 BPM | ||
| Sentient Glow | Periphery | C Minor | 10 | 5A | 100 BPM |