Onsoku Line's ' "逢いたい" was released on its scheduled release date, October 24, 2012. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Onsoku Line's "Grateful A.C." album is number 2 out of 7. On top of that, Japan appears to be the country where this track was created. In terms of popularity, 逢いたい is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of 逢いたい by Onsoku Line to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 歌詞書けなすぎて、朝 | Wasureranneyo | D Major | 6 | 10B | 157 BPM | ||
| 同じ月を見てた | GOING UNDER GROUND | E Major | 9 | 12B | 133 BPM | ||
| 列車 | LOST IN TIME | D Minor | 7 | 7A | 125 BPM | ||
| 共犯者 | SUNEOHAIR | A Major | 8 | 11B | 105 BPM | ||
| ヨスガ | Chirinuruwowaka | E Major | 7 | 12B | 142 BPM | ||
| 眩しいのは | さよならポエジー | F Major | 8 | 7B | 107 BPM | ||
| 最低のふたり | 山田亮一とアフターソウル | B Minor | 9 | 10A | 106 BPM | ||
| 未来は俺らの手の中(Remastered) | climbgrow | A Major | 9 | 11B | 198 BPM | ||
| 前線に告ぐ | さよならポエジー | F♯ Minor | 9 | 11A | 117 BPM | ||
| カノン | Cune | C Major | 9 | 8B | 169 BPM | ||
| サリバンになりたい - Rock Stock Version | the pillows | A Major | 9 | 11B | 144 BPM | ||
| アンハッピーアイスクリーム | cakebox | A Major | 10 | 11B | 185 BPM | ||
| いらない | GOOD ON THE REEL | F♯ Major | 9 | 2B | 126 BPM | ||
| そりゃそうだ | 100s | D♭ Major | 7 | 3B | 90 BPM | ||
| 喉が嗄れるまで | The SALOVERS | E Major | 10 | 12B | 93 BPM | ||
| プライベート・キングダム | the pillows | C Major | 9 | 8B | 128 BPM | ||
| サナトリウムの長い午後 | Sawao Yamanaka | C Major | 9 | 8B | 132 BPM | ||
| サラバ青春 | Chatmonchy | G Major | 4 | 9B | 147 BPM | ||
| 恋のゴング | Tsuru | F♯ Minor | 9 | 11A | 136 BPM | ||
| Traffic | Large House Satisfaction | G Major | 8 | 9B | 109 BPM | ||
| 伝言 | Aobozu | A♭ Major | 10 | 4B | 94 BPM | ||
| ハイエースの車窓から | バズマザーズ | D Minor | 9 | 7A | 141 BPM | ||
| 扉の向こうに | 100s | D Major | 8 | 10B | 85 BPM | ||
| エレクトリック・サーカス | Thee Michelle Gun Elephant | G Major | 10 | 9B | 126 BPM | ||
| 天国に生まれた僕ら | Enfants | A Major | 7 | 11B | 93 BPM |