柏原 満's '爆発1 (SE)' had a release date set for March 20, 1996. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of YAMATO SOUND ALMANAC 1996-I SOUND FANTASIA SERIES 宇宙戦艦ヤマト by シンフォニック・オーケストラ・ヤマト, 柏原 満. The song's track number on the album is #30 out of 43 tracks. Based on our data, Japan was the country where this track was produced or recorded. Based on our statistics, 爆発1 (SE)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since 爆発1 (SE) by 柏原 満 has a tempo of 131 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With 爆発1 (SE) being at 131 BPM, the half-time would be 66 BPM with a double-time of 262 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Conexión | KJMV9 | A♭ Minor | 0 | 1A | 70 BPM | ||
| プリオシン海岸 | Haruomi Hosono | D Minor | 0 | 7A | 77 BPM | ||
| Cloud Calligraphy | Josef Harlitz | D Minor | 6 | 7A | 127 BPM | ||
| Ode to a Lily | Conard Sandpiper | E♭ Major | 0 | 5B | 86 BPM | ||
| Nothingness | Nadyia Lvov | E♭ Major | 3 | 5B | 76 BPM | ||
| Persepolis #2 | Iannis Xenakis | D♭ Major | 7 | 3B | 176 BPM | ||
| In those flanger days part six | Ruto | F♯ Minor | 3 | 11A | 126 BPM | ||
| 補助エンジン (SE) | 柏原 満 | B♭ Major | 3 | 6B | 131 BPM | ||
| LOU LOU UNO | el rey millonario | D Minor | 0 | 7A | 77 BPM | ||
| Renovation of the Whole | Chicco Birds | B♭ Minor | 0 | 3A | 147 BPM | ||
| Running Through Fire | estepha45 | D Major | 3 | 10B | 180 BPM | ||
| Strano notturno | Solisti e Orchestre del Cinema Italiano | E♭ Major | 2 | 5B | 78 BPM | ||
| Portent | Kenji Kawai | A♭ Major | 4 | 4B | 143 BPM | ||
| 92nd time | Yasuhiro Maeda | D Minor | 0 | 7A | 77 BPM | ||
| Thoughts of Eswatini | Lorenzo Dinapoli | C Major | 1 | 8B | 146 BPM | ||
| Rainbow Feather | Secotno | G Minor | 2 | 6A | 128 BPM | ||
| Sanctum Sonorum | Teolil | D Minor | 0 | 7A | 77 BPM | ||
| THE 9TH CENTURY B.C XVII | PROVISIONEDBEATS | D Minor | 0 | 7A | 77 BPM | ||
| 水のプレリュード | Junichi Kamiyama | D Major | 0 | 10B | 169 BPM | ||
| Accents of Long Ago | The Ember Keys | E Major | 1 | 12B | 137 BPM | ||
| 巨塔のテーマ ― 神聖な手 | Takashi Kako | A Minor | 2 | 8A | 66 BPM | ||
| Respect of a New Day | Ernesto Vallini, Neon Lilith, Belinda J Crossward | D♭ Minor | 4 | 12A | 88 BPM | ||
| 水族館で流れてそうな | 三好史 | A Minor | 3 | 8A | 140 BPM | ||
| Chapter X - On the Ground | 佐野 信義 | E Major | 4 | 12B | 95 BPM | ||
| 窓の向こうに | YOSHIHIRO KANNO | D Minor | 3 | 7A | 79 BPM |