スリー・キャッツ's ' "おこさ節" was released on its scheduled release date, January 20, 1960. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. おこさ節's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in スリー・キャッツのにっぽんムード, so we believe that "おこさ節" is a single. In terms of popularity, おこさ節 is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of おこさ節 by スリー・キャッツ is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 俺たちの旅 | Masatoshi Nakamura | G Minor | 3 | 6A | 75 BPM | ||
| ラブユー東京 | ロス・プリモス, 黒沢明 | B Minor | 3 | 10A | 83 BPM | ||
| 桃色の風 | スリー・キャッツ | A Minor | 2 | 8A | 87 BPM | ||
| 東京の女(ひと) | The Peanuts | A♭ Major | 4 | 4B | 116 BPM | ||
| 初恋のひと | Tomoko Ogawa | E Minor | 3 | 9A | 104 BPM | ||
| 乙女のワルツ | Sakiko Ito | G Major | 4 | 9B | 202 BPM | ||
| メランコリー | Michiyo Azusa | E♭ Minor | 5 | 2A | 136 BPM | ||
| バラが咲いた | マイク真木 | B Minor | 7 | 10A | 48 BPM | ||
| 雨が空から降れば | Hitoshi Komuro | A♭ Major | 7 | 4B | 110 BPM | ||
| ミネソタの卵売り | 暁テル子 | A Minor | 3 | 8A | 98 BPM | ||
| 蒲田行進曲'74 | あがた森魚 | E Major | 3 | 12B | 83 BPM | ||
| あの場所から | Rie Asakura | E Minor | 4 | 9A | 84 BPM | ||
| 男の子女の子 | Hiromi Go | B Minor | 6 | 10A | 123 BPM | ||
| 愛のさざなみ | Chiyoko Shimakura | E Major | 3 | 12B | 99 BPM | ||
| だからわたしは北国へ | Cherish | E Minor | 5 | 9A | 83 BPM | ||
| 野バラ咲く路 | Somegoro Ichikawa | D Major | 5 | 10B | 111 BPM | ||
| 喧嘩のあとでくちづけを | Ayumi Ishida | C Minor | 3 | 5A | 104 BPM | ||
| そっとおやすみ | 布施明 | D Major | 3 | 10B | 82 BPM | ||
| 夜明けの夢 | Akiko Wada | E Minor | 7 | 9A | 134 BPM | ||
| パイのパイ節(東京節) | 榎本健一, ヴォーチェ・アンジェリカ | G Major | 4 | 9B | 110 BPM | ||
| La - La - La | Naoko Ken | D Major | 3 | 10B | 131 BPM | ||
| 橋 | Saburo Kitajima | B Major | 6 | 1B | 132 BPM | ||
| こんな私じゃなかったに | スリー・キャッツ | E♭ Major | 4 | 5B | 146 BPM | ||
| おてもやん | スリー・キャッツ | F Major | 2 | 7B | 112 BPM | ||
| 銀座カンカン娘 | Naomi Sagara | G Major | 4 | 9B | 155 BPM |