"Missa pro defunctis: V. Sanctus" by Pierre de la Rue, New London Chamber Choir, James Wood had its release date on January 1, 1986. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Pierre De La Rue: Requiem - Josquin Desprez: Mass - Hercules dux Ferrariae - Deploration". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Missa pro defunctis: V. Sanctus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa pro defunctis: V. Sanctus by Pierre de la Rue, New London Chamber Choir, James Wood having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Diptych: I. The Lord's Prayer | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 124 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): With Your Virgin Mother's Intercession | Komitas, Armen Badalyan, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | G Major | 1 | 9B | 83 BPM | ||
| Ogn'hor per voi sospiro | Philippe Verdelot, Capilla Flamenca | G Minor | 1 | 6A | 78 BPM | ||
| Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Adoramus Te Domine (Antífonia) | Jordi Savall | E Minor | 0 | 9A | 123 BPM | ||
| Esti dal - Nachtlied | Klaus-Martin Bresgott, Zoltán Kodály, Athesinus Consort Berlin, Arno Schneider, Katja Kunze, Heike O. Scheel, Stephan M. Gähler, Stefan Quirin Drexlmeier | F Major | 0 | 7B | 130 BPM | ||
| Missa Sanctae Crucis, MH 56: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 78 BPM | ||
| Berliner Messe: II. Gloria | Arvo Pärt, Tõnu Kaljuste, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra | G Minor | 1 | 6A | 111 BPM | ||
| Os justi, WAB 30 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 80 BPM | ||
| Cantiga de Santa Maria 300: Muito deveria ome sempr' a loar | Ensemble Discantus, Brigitte Lesne | A♭ Minor | 1 | 1A | 108 BPM | ||
| Alma redemptoris mater | Johannes Ockeghem, Harmonia Recorder Ensemble | F Major | 0 | 7B | 70 BPM | ||
| Mouton: Salva Nos, Domine | The Tallis Scholars, Peter Phillips | G Major | 2 | 9B | 73 BPM | ||
| The Darkness Is No Darkness | Judith Bingham, Hannah Holgersson, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 85 BPM | ||
| Sheppard: Media Vita - 1. Media Vita in Morte Sumus | The Tallis Scholars, Peter Phillips | D♭ Minor | 1 | 12A | 65 BPM | ||
| In illo tempore cum sublevasset | Francisco Guerrero, A5 Vocal Ensemble | A Minor | 1 | 8A | 80 BPM | ||
| Ockeghem: Missa pro defunctis: I. Requiem aeternam | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | F Major | 0 | 7B | 83 BPM | ||
| The Funeralls | Anthony Holborne, L'Achéron, François Joubert-Caillet | D Major | 0 | 10B | 84 BPM | ||
| O Virgo splendens (canon a 2 i a 3) | Jordi Savall | G Minor | 3 | 6A | 79 BPM | ||
| In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
| Missa de Sancto Job: IV. Gloria | Pierre de la Rue, Orlando Consort | D Minor | 1 | 7A | 64 BPM | ||
| Madrigals, Libro 1: No. 1, Baci soavi e cari, W. 1/13 | Carlo Gesualdo, La Compagnia del Madrigale | D Major | 1 | 10B | 81 BPM | ||
| Stabat Mater Dolorosa à dix voix: Stabat Mater Dolorosa | Domenico Scarlatti, Ensemble William Byrd, Graham O'Reilly, Catherine Greuillet, Raphaële Kennedy, Sophie Decaudaveine, Brigitte Vinson, Pascal Bertin, Vincent Darras, Bruno Boterf, Raphaël Boulay, François Fauche, Paul Willenbrock | B Minor | 2 | 10A | 129 BPM | ||
| Miserere: Tibi soli | Gregorio Allegri, Chorus Sine Nomine, Michael Krenn, Johannes Hiemetsberger | B♭ Major | 1 | 6B | 131 BPM | ||
| Kaiserrequiem: V. Sanctus - Beneditus - Hosanna | Johann Joseph Fux, Vox Luminis, Lionel Meunier, Scorpio Collectif | E♭ Major | 1 | 5B | 107 BPM | ||
| Da Pacem Domine | Arvo Pärt, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | D Minor | 1 | 7A | 77 BPM | ||
| Palestrina: Missa Assumpta Est Maria - 1c. Kyrie 2 | The Tallis Scholars, Peter Phillips | B♭ Minor | 1 | 3A | 133 BPM |