James Patrick Kaleth, Bob Mitchell, Jez Pike's ' "Rebel March" was released on its scheduled release date, July 4, 2016. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Rebel March's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 14 in Big Rock by James Patrick Kaleth, Bob Mitchell, Jez Pike. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Rebel March's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Rebel March by James Patrick Kaleth, Bob Mitchell, Jez Pike is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Game Day | Tommy Gustafsson | A Major | 6 | 11B | 130 BPM | ||
| Smooth Transgression | Truvio | F Minor | 9 | 4A | 122 BPM | ||
| In-Game 3 | Adam Skorupa, Various Artists | C Major | 7 | 8B | 119 BPM | ||
| Den Haag is callin - PC Version | Mutti und Vati | B♭ Minor | 6 | 3A | 130 BPM | ||
| Don't Rely on Your Heroes | Bonnie Grace | B Major | 5 | 1B | 61 BPM | ||
| Sun Seekers | James Patrick Kaleth | C Major | 4 | 8B | 120 BPM | ||
| The Final Overthrow | Bonnie Grace | D♭ Major | 9 | 3B | 180 BPM | ||
| Till the Sun Comes Up | Standard Music Library, Raymond Flowers, James Patrick Kaleth, Cayte Webber | C Major | 4 | 8B | 120 BPM | ||
| Echoes of Obsidian | Stella Synth | C Minor | 5 | 5A | 200 BPM | ||
| Metro Pulse | Tony Clarke, RGW | D♭ Major | 2 | 3B | 147 BPM | ||
| Terminal Risk | Wade Macneil, Andrew Gordon MacPherson | F Minor | 10 | 4A | 187 BPM | ||
| We Don’t Need Roads | Steve Ouimette | A Major | 8 | 11B | 98 BPM | ||
| The Final Battle Main Theme (From "Last Ninja 2") | Matt Gray | C Major | 9 | 8B | 125 BPM | ||
| Landfall | ReScore | A♭ Major | 4 | 4B | 90 BPM | ||
| The Battle for Piggy Island | Vince DiCola, Kenny Meriedeth | E Minor | 9 | 9A | 117 BPM | ||
| The End of Mankind | Machinimasound | G Minor | 7 | 6A | 144 BPM | ||
| illusions clinging | Hazard Archit | F Minor | 7 | 4A | 140 BPM | ||
| Time Waits for No One | Dream Cave | D♭ Major | 7 | 3B | 132 BPM | ||
| Pull Me Up | Adua Blaize | F♯ Minor | 10 | 11A | 160 BPM | ||
| For the Final Kingdom | Edgar Hopp | B Minor | 8 | 10A | 146 BPM | ||
| Live from Anywhere, Live from Everywhere | Steve Ouimette, ill Factor | B Minor | 9 | 10A | 128 BPM | ||
| Push the F_ckers | Titan Slayer | D Major | 9 | 10B | 140 BPM | ||
| The Point of No Return | Artur Tokhtash, World of Warships Music Group | C Major | 2 | 8B | 117 BPM | ||
| Pop is Dead | The Sound Illusionist | E Minor | 10 | 9A | 140 BPM | ||
| Backalleys | Joseph Trapanese | D♭ Major | 7 | 3B | 96 BPM |