Lata Mangeshkar's 'Sanwra Mhari Preet Nibhajonji' had a release date set for January 2, 1968. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Lata Mangeshkar's "Meera - Lata Mangeshkar" album is number 6 out of 10. On top of that, India appears to be the country where this track was created. Based on our statistics, Sanwra Mhari Preet Nibhajonji's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sanwra Mhari Preet Nibhajonji by Lata Mangeshkar to be Allegro (fast, quick, and bright) because the track has a tempo of 156 BPM, a half-time of 78BPM, and a double-time of 312 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tute Hue Dilon Ki Dua | Pankaj Udhas | D♭ Major | 4 | 3B | 80 BPM | ||
| Main Nafrat Karti Rahti Hoon Unse | Shanta Apte, Pahari Sanyal | A Minor | 2 | 8A | 84 BPM | ||
| Mujhko Bhule Hue | Chandan Dass | A♭ Major | 0 | 4B | 91 BPM | ||
| Salam Hai Salam Hai | Mohammed Rafi, Lata Mangeshkar, Laxmikant–Pyarelal | D Major | 7 | 10B | 85 BPM | ||
| Dekho Jani Dushman Apas Men Yaar | Suresh Wadkar, Jaspal Singh | F Major | 5 | 7B | 168 BPM | ||
| Goom Hai Kisi Ke Pyar Mein (From "Raampur Ka Lakshman") | Kishore Kumar, Lata Mangeshkar | C Minor | 3 | 5A | 117 BPM | ||
| Sumati Sita Ram | Bhimsen Joshi | B Major | 4 | 1B | 151 BPM | ||
| Jab Jab Apna Mel Hua | Sulakshana Pandit, Mohammed Rafi | D Major | 5 | 10B | 82 BPM | ||
| Jab Se Dekha Hai | Naresh Sharma, Nitin Mukesh, Falguni Sheth | D♭ Major | 5 | 3B | 112 BPM | ||
| Dil Dhadakne Ka Sabab | Pankaj Udhas | C Major | 3 | 8B | 153 BPM | ||
| Man Mein Uthe Uchhale | Snehprabha Pradhan, Hameeda Bano | D♭ Major | 3 | 3B | 73 BPM | ||
| Mere Dil Dhadakne Ka | Peenaz Masani | F♯ Major | 4 | 2B | 151 BPM | ||
| Kanhaiya Tujhe Aana Padega | Mahendra Kapoor, Kalyanji-Anandji | E Major | 6 | 12B | 113 BPM | ||
| Sawan Ke Suhane Mausam Mein | Ahmed Hussain, Mohammed Hussain | D Major | 4 | 10B | 133 BPM | ||
| Dil Ne Kiya Tha Yaad | Bhupinder Singh | G Major | 5 | 9B | 104 BPM | ||
| Jawaniya Ke Din Dui Char Rasiya | Hansa Dave, Kalyanji-Anandji | E♭ Major | 6 | 5B | 100 BPM | ||
| Tu Ganga Ki Mauj | Naushad, Shakeel Badayuni, Lata Mangeshkar, Mohammed Rafi | A Minor | 2 | 8A | 87 BPM | ||
| Mohabbat Ke Dhaage Men Kaliyan | Mohammed Rafi, Jani Babu, Balbir | E Major | 5 | 12B | 143 BPM | ||
| Yeh Kis Ki Sada Hai (with Commentary) | Bhupen Hazarika, Gulzar | B♭ Major | 3 | 6B | 137 BPM | ||
| Yun To Apas Mein Bigadte Hai | Lata Mangeshkar, Mohammed Rafi | D♭ Major | 2 | 3B | 66 BPM | ||
| Lek Ladaki Ya Gharchi | Lata Mangeshkar | F♯ Minor | 2 | 11A | 140 BPM | ||
| Ud Ja Re Kaga | Lata Mangeshkar | A♭ Major | 3 | 4B | 70 BPM | ||
| Beech Bhanwar Mein | Suraiya | C Major | 5 | 8B | 137 BPM | ||
| O Shankar Mere Kab Honge Darshan - Part - 1 | Mahendra Kapoor, Kalyanji-Anandji | A♭ Major | 6 | 4B | 97 BPM | ||
| Jhoom Ke Jab Bhi Aa Jata Hai | Vinod Sehgal | B Major | 3 | 1B | 127 BPM |