"An Eye for Optical Theory" by Michael Nyman Band had its release date on April 17, 2006. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 7 in the song's album "The Composer's Cut Series, Vol. I: The Draughtsman's Contract". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. The popularity of An Eye for Optical Theory is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With An Eye for Optical Theory by Michael Nyman Band having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Music for 18 Musicians: Pulses | Steve Reich | F♯ Minor | 6 | 11A | 101 BPM | ||
| Bar song | FH10 | C Minor | 5 | 5A | 127 BPM | ||
| Bubble Gun (Arr. Ross) | Anna Meredith, Jess Gillam, Jess Gillam Ensemble | F Minor | 3 | 4A | 133 BPM | ||
| Song 6: 'For Just One Night' | Michael Nyman Band | D♭ Minor | 3 | 12A | 90 BPM | ||
| Evocazione n.9 (Dedalo) | DAVIDE FERRO | C Minor | 5 | 5A | 127 BPM | ||
| Song 8: 'Abschied' | Michael Nyman Band | B♭ Major | 4 | 6B | 93 BPM | ||
| Song 3: 'Kinder Vor Einem Londoner Armenspeise Haus' | Michael Nyman Band | D♭ Major | 3 | 3B | 111 BPM | ||
| Atreverse y Vencer | Senderos Del Destino | F Minor | 3 | 4A | 87 BPM | ||
| Drowning by Numbers (Film score, 1988): Wheelbarrow Walk | Michael Nyman, Michael Nyman Band | C Major | 5 | 8B | 92 BPM | ||
| The Last Farm 4 | Kjartan Sveinsson | G Major | 3 | 9B | 153 BPM | ||
| Winter 3 - 2012 | Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder | F Minor | 3 | 4A | 111 BPM | ||
| Flank by flank | Wim Mertens | G Major | 0 | 9B | 62 BPM | ||
| Martinis and Tartar | Hauschka | D Major | 2 | 10B | 105 BPM | ||
| Esperanza | Rachel Grimes, Rachel's | E Minor | 1 | 9A | 174 BPM | ||
| String Quartet: II. Àigi | Bjorn Arntsen, Towha | C Minor | 1 | 5A | 169 BPM | ||
| Carta del más allá | Alberto Iglesias | E Minor | 1 | 9A | 78 BPM | ||
| In Re Don Giovanni | Michael Nyman, Michael Nyman Band | D♭ Major | 3 | 3B | 113 BPM | ||
| Queen of the Night | Michael Nyman Band | D Major | 3 | 10B | 106 BPM | ||
| Blooming Garden | Laurent Dury | E Minor | 1 | 9A | 116 BPM | ||
| Solitarias | Nimetas | D♭ Major | 3 | 3B | 170 BPM | ||
| Murder Ballades: VII. Tears for Sister Polly | Bryce Dessner, eighth blackbird | C Minor | 6 | 5A | 164 BPM | ||
| In The Garden | David Motion, Sally Potter | F Major | 1 | 7B | 92 BPM | ||
| Arterial | Christian Erik Frederickson, Rachel Grimes, Rachel's | F♯ Minor | 3 | 11A | 111 BPM | ||
| Music for 18 Musicians (modular version): Section I | Steve Reich, Ensemble Signal | D Major | 3 | 10B | 108 BPM | ||
| Avril 14 | Richard James, Katia Labèque, Marielle Labèque | A♭ Major | 0 | 4B | 90 BPM |