"Couperin, L: Fugue, OL 62" by Louis Couperin, Jean Rondeau had its release date on November 14, 2025. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Couperin, L: Fugue, OL 62's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean Rondeau's "Louis Couperin: The Complete Works, Vol. IV (At the Organ of Saint-Michel, Bolbec)" album is number 3 out of 22. On top of that, United Kingdom appears to be the country where this track was created. Couperin, L: Fugue, OL 62 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Couperin, L: Fugue, OL 62 by Louis Couperin, Jean Rondeau to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Folias echa para mi Señora Doña Tarolilla de Carallenos | Andrea Falconieri, Musica Alchemica, Lina Tur Bonet | B Major | 4 | 1B | 175 BPM | ||
| Couperin, L: Suite en do: II. Le Moutier, Allemande de Mr. de Chambonnières et son double par Mr. Couperin, G. 126 | Jacques Champion de Chambonnières, Louis Couperin, Jean Rondeau | B♭ Major | 3 | 6B | 67 BPM | ||
| Dowland: Lachrimae, or Seven Tears: No. 14, The Earl of Essex Galliard, P. 42 | John Dowland, Jupiter, Thomas Dunford | F♯ Major | 1 | 2B | 77 BPM | ||
| Couperin: Second Livre de pièces de clavecin, Huitième Ordre: IX. Passacaille | François Couperin, Olivier Baumont | E Minor | 2 | 9A | 84 BPM | ||
| Dissertazioni sopra l´opera quinta del Corelli, VIolin Sonata No. 1 in D Major: II. Allegro | Francesco Maria Veracini, John Holloway, Jaap Ter Linden, Lars Ulrik Mortensen | F Minor | 1 | 4A | 81 BPM | ||
| Violin Sonata in A major / La majeur / A-dur: IV. Allegro - Adagio - Allegro - Adagio | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | A♭ Major | 1 | 4B | 120 BPM | ||
| Concerto for Strings in G Minor, RV 157: II. Largo | Antonio Vivaldi, Jeanne Lamon, Tafelmusik Baroque Orchestra | F♯ Minor | 1 | 11A | 56 BPM | ||
| Oboe Concerto in G Minor, HWV 287: I. Grave | George Frideric Handel, Musica Gloria, Beniamino Paganini, Nele Vertommen, Evan Buttar, Elise Dupont, Giulio Quirici, Lena Rademann, Daria Spiridonova | E Major | 3 | 12B | 122 BPM | ||
| Dixit Dominus, HWV 232: II. Virgam virtutis tuae | George Frideric Handel, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón, Paul-Antoine Bénos-Djian | E♭ Minor | 1 | 2A | 60 BPM | ||
| Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
| Purcell: Dido and Aeneas, Z. 626: Overture | Henry Purcell, Jupiter, Thomas Dunford | B Minor | 1 | 10A | 68 BPM | ||
| Canzonie, fantasie et correnti: No. 22, Canzon No. 12 | Bartolomé de Selma y Selaverde, Ecco la musica | E Major | 0 | 12B | 87 BPM | ||
| Canzoni overo sonate concertate, Op. 12: No. 4, La Treccha | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: IV. Allegro | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Misericordias Domini | Vincenzo Albrici, Bremen Weser-Renaissance, Manfred Cordes | C Minor | 1 | 5A | 106 BPM | ||
| Sonate in A Minor: I. Grave | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | B♭ Minor | 1 | 3A | 76 BPM | ||
| Manuscrit de Cracovie, Suite in D Minor: Prélude du Sieur Dubuisson | Nicolas Hotman, Lucile Boulanger | D♭ Major | 0 | 3B | 78 BPM | ||
| Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
| Composizioni per Organo e Cembalo: Toccata del secondo tono | Tarquinio Merula, Bernard Foccroulle | F♯ Major | 1 | 2B | 54 BPM | ||
| Concerto In D Major, Op. 26, No. 6: 2. Largo | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 97 BPM | ||
| Pièces De Viole - 2Eme Suite. La Leclair | Jordi Savall, Antoine Forqueray | F♯ Major | 0 | 2B | 118 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: III. Grave | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Viola da Gamba Suite in D Major: X. Minuetto | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 142 BPM | ||
| Violin Sonata No. 1 in D Minor: I. Adagio | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | D♭ Minor | 1 | 12A | 125 BPM | ||
| Couperin, L & Chambonnières: Suite en fa: VIII. Chaconne | Jacques Champion de Chambonnières, Louis Couperin, Jean Rondeau | E♭ Major | 3 | 5B | 85 BPM |