Niranjan Pandya's ' "Kailash Ke Nivaasi" was released on its scheduled release date, April 18, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Niranjan Pandya's "Kailash Ke Nivaasi" album is number 3 out of 6. On top of that, India appears to be the country where this track was created. Kailash Ke Nivaasi is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Kailash Ke Nivaasi by Niranjan Pandya to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhole Teri Jata Mein | NARAYANSWAMI | C Major | 7 | 8B | 117 BPM | ||
| Jo Anand Sant Fakir Kare | Niranjan Pandya | B Minor | 9 | 10A | 125 BPM | ||
| Gunona Mahasagar Mahant Swami | Baps Swaminarayan Sanstha | F Minor | 7 | 4A | 80 BPM | ||
| Zeri Kalotaro Dankhe | Atul Purohit | E♭ Major | 4 | 5B | 104 BPM | ||
| Aaj Mara Mandiriya Ma (feat. Priti Mandalia) | Paras Borkhatria, Priti Mandalia | F Minor | 6 | 4A | 90 BPM | ||
| Man Kari lene Vichar - Live | NARAYANSWAMI | F♯ Major | 8 | 2B | 113 BPM | ||
| Shriji Maharaj Magoo Sharan | Baps Swaminarayan Sanstha | F♯ Minor | 3 | 11A | 139 BPM | ||
| Ras Bhina Rai Ranchod | Nidhi Dholakiya | F Major | 5 | 7B | 88 BPM | ||
| Jay Jay Maharani Yamuna | Asif Jeriya, Meenakshi Vadher | E♭ Minor | 4 | 2A | 132 BPM | ||
| Evu Shree Vallabh Prabhunu Naam-Shree Vallabhacharya Prarthna | Nidhi Dholakia, Nitin Devka | A♭ Major | 6 | 4B | 136 BPM | ||
| Sonal Garbo Shire | Damyanti Bardai | G Major | 6 | 9B | 135 BPM | ||
| He Karuna Na Karnara | Praful Dave | D♭ Major | 5 | 3B | 104 BPM | ||
| Julavu Pyare Hindore | Rajkot Gurukul | F♯ Major | 6 | 2B | 164 BPM | ||
| Aevi Rudine Rupali | Kanu Patel | D Major | 7 | 10B | 127 BPM | ||
| Shivaji Nu Halaradu | Bhikhudan Gadhvi | B♭ Minor | 6 | 3A | 141 BPM | ||
| Vishwambhari Akhil Vishwa Tani - Stuti | Koras | C Major | 4 | 8B | 143 BPM | ||
| Aavelo Mankho Sudharo Guruji Mara Full Song | Birju Barot | E♭ Major | 2 | 5B | 80 BPM | ||
| Sharad Poonam Ni Raatdi - Gujarati Garba Song | Atul Purohit | B♭ Minor | 2 | 3A | 78 BPM | ||
| Zulan Morli Vagi Re Raja Na Kunvar | Rupande Shah, Avani Parikh | A♭ Major | 4 | 4B | 114 BPM | ||
| Jivan Jyot Jagave Man Bhave | Baps Swaminarayan Sanstha | A Minor | 6 | 8A | 177 BPM | ||
| YAMUNA JAL MA KESHAR | Nidhi Dholkiya | A Major | 9 | 11B | 83 BPM | ||
| Vhalmni Vat | Atul Purohit, Himali, Smita Shah | F♯ Major | 4 | 2B | 80 BPM | ||
| Shiv Lehri Ke Darbar Me Sabka Khata Hai | Niranjan Pandya | A♭ Minor | 8 | 1A | 86 BPM | ||
| KACHI RE MATI NU KODIYU | NITIN DEVKA-NIDHO DHOLKIA | B♭ Minor | 7 | 3A | 51 BPM | ||
| Chatak Rangilo | Harikrishna Patel | E Minor | 9 | 9A | 80 BPM |