"Messe, Fêtes doubles Majeures, Sanctus: Benedictus (Orgue J. Boizard à Saint-Michel-en-Thiérache)" by Guillaume-Gabriel Nivers, Kei Koito, Ensemble Gilles Binchois, Dominique Vellard had its release date on September 1, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 119 in the song's album "Nivers: Messe, Suites et Motets (orgue J. Boizard à Saint-Michel-en-Thiérache)". In this album, this song's track order is #35. Furthermore, we believe that the track originated from France. Messe, Fêtes doubles Majeures, Sanctus: Benedictus (Orgue J. Boizard à Saint-Michel-en-Thiérache) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Messe, Fêtes doubles Majeures, Sanctus: Benedictus (Orgue J. Boizard à Saint-Michel-en-Thiérache) by Guillaume-Gabriel Nivers, Kei Koito, Ensemble Gilles Binchois, Dominique Vellard having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa "Orbis factor": Kyrie | Fernão Gomes Correia, Capella Duriensis, Jonathan Ayerst | A♭ Minor | 2 | 1A | 83 BPM | ||
| Vidimus Stellam: V. Vidimus Stellam | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | A Major | 1 | 11B | 74 BPM | ||
| Monks Templar Chant Chant Meditation | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | E♭ Minor | 2 | 2A | 130 BPM | ||
| O Morning Star (O Oriens - 21 December) | Esther Bersweden, St Martin's Voices, Andrew Earis | B Minor | 1 | 10A | 97 BPM | ||
| Херувимска песма | Хор при Храму Св. Архангела Михаила | F♯ Major | 2 | 2B | 108 BPM | ||
| Sanctum Numen | Gregorian Chanting Monks, The Chanting Monk | C Minor | 2 | 5A | 68 BPM | ||
| Quam pulchra es / Secunda pars: Gutur tuum à 5 | Orlande de Lassus, Chœur De Chambre De Namur, Clematis, Leonardo García-Alarcón | A Minor | 1 | 8A | 79 BPM | ||
| Angelorum Carmina | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | D Major | 0 | 10B | 71 BPM | ||
| Missa Hercules dux Ferrariae: III. Credo | Josquin des Prez, Odhecaton, Paolo da Col | G Major | 2 | 9B | 69 BPM | ||
| Finiit annus iter | Gregor Lange, Harmonia Recorder Ensemble | G Major | 0 | 9B | 69 BPM | ||
| Missa Sanctae Crucis, MH 56: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 78 BPM | ||
| Relaxing Peaceful Chant Monks Sleep 432Hz | Choir Of St. Abuscus, Chants of Eternity | D Minor | 2 | 7A | 140 BPM | ||
| Nivers: Troisième livre d'orgue, Suite du deuxième ton: VII. Dialogue à deux chœurs | Guillaume-Gabriel Nivers, Marie-Claire Alain | G Major | 3 | 9B | 80 BPM | ||
| Canticle of Simeon | Choir of the Monks of Chevetogne | F Major | 1 | 7B | 168 BPM | ||
| Tenebrae Responsories, Feria quinta: V. Judas mercator pessimus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | C Major | 1 | 8B | 70 BPM | ||
| Membra Jesu nostri, BuxWV 75: IIIa. Ad manus: Quid sunt plagae istae | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
| Tota pulchra es à 4 | Orlande de Lassus, Chœur De Chambre De Namur, Clematis, Leonardo García-Alarcón, Caroline Weynants, Lieselot De Wilde, Miguel Bernal, Matteo Bellotto | B♭ Major | 1 | 6B | 107 BPM | ||
| Facultad organica: No. 23, Tiento sobre la primera parte de la "Batalla de Morales", FO 23 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | E Major | 1 | 12B | 113 BPM | ||
| Fortuna d’un gran tempo | Josquin des Prez, La Reverdie | E Minor | 0 | 9A | 79 BPM | ||
| Madrigali Erotici E Spirituali: Qui Laudes | Consort Of Musicke, Gabriele Micheli, Mary Nichols, Claudio Monteverdi, Andrew King, Joseph Cornwell, Emma Kirkby, Evelyn Tubb, Simon Grant | G Minor | 1 | 6A | 65 BPM | ||
| Hymne "A Solis Ortus Cardine": A Solis Ortus Cardine (orgue Saint-Michel-en-Thiérache) | Guillaume-Gabriel Nivers, Kei Koito, Ensemble Gilles Binchois, Dominique Vellard | G Minor | 3 | 6A | 70 BPM | ||
| Requiem in F Minor, C 8: Ib. Kyrie | Heinrich Ignaz Franz von Biber, Vox Luminis, Freiburger BarockConsort, Lionel Meunier | F Minor | 1 | 4A | 85 BPM | ||
| Ecce advenit dominator Dominus | William Byrd, Choir of Clare College, Cambridge, Graham Ross | A Minor | 1 | 8A | 69 BPM | ||
| Canticum Fidelium | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | D Major | 2 | 10B | 67 BPM | ||
| Missa Iste confessor domini: Agnus Dei III | Pierre de la Rue, Musurgia Ensemble, João Francisco Távora | C Minor | 2 | 5A | 68 BPM |