Gerard Drozd, Brasil Guitar Duo's ' "Suite Op. 142: Allegro deciso" was released on its scheduled release date, June 30, 2017. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Brasil Guitar Duo's "Ghosting" album is number 9 out of 16. On top of that, United States appears to be the country where this track was created. Based on our statistics, Suite Op. 142: Allegro deciso's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Suite Op. 142: Allegro deciso by Gerard Drozd, Brasil Guitar Duo to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Preludio Fuga e Vivace: I. Preludio | Sérgio Assad, Plínio Fernandes | D Major | 2 | 10B | 100 BPM | ||
| 26 Ricercares: No. 23, Ricercare del undecimo tono per B molle | Vincenzo Galilei, John Oeth | D Minor | 0 | 7A | 72 BPM | ||
| Fernándo Ferrandiere : Minueto y contradanza de los currutacos | Renata Tarragó | A Major | 1 | 11B | 83 BPM | ||
| Sevillana | Joaquín Turina, Sebastien Llinares | D Major | 1 | 10B | 148 BPM | ||
| Adagio, Op. 44 | Gerard Drozd, Zoran Dukic | A Minor | 0 | 8A | 105 BPM | ||
| Suite Mística: Getsemaní | V. Asencio, Andrés Segovia | G Major | 0 | 9B | 94 BPM | ||
| Sons De Carrilhoes | Francisco Zavaleta | F♯ Major | 2 | 2B | 141 BPM | ||
| Nocturno | Federico Moreno Torroba, Tilman Hoppstock | A Minor | 1 | 8A | 66 BPM | ||
| Cinq préludes, W 419: No. 4, Homenagem ao índio brasileiro | Heitor Villa-Lobos, Giulia Ballaré | E Minor | 1 | 9A | 89 BPM | ||
| Guitar Sonata in D Major: II. Andante religioso | Adam Darr, Daniel Marx | D Major | 0 | 10B | 103 BPM | ||
| Preludio, Op. 5: I. Preludio in G Minor | Agustín Barrios Mangoré, Marco Caiazza | G Minor | 2 | 6A | 83 BPM | ||
| Micropiece No. 11: After the Rain | William Lovelady, Gerard Cousins | G Major | 2 | 9B | 129 BPM | ||
| Choix de mes fleurs chéries, Op. 46: No. 4, Le Jasmin | Mauro Giuliani, Mats Bergström | D Major | 6 | 10B | 130 BPM | ||
| Guitar Suite No. 2: II. Pastorale | Peter Scott Lewis | A♭ Minor | 1 | 1A | 79 BPM | ||
| 24 Progressive Lessons, Op. 31: No. 2, Andante | Fernando Sor, Enea Leone | C Major | 0 | 8B | 73 BPM | ||
| Study No. 6 in D Major, Op. 35: No. 17, Allegro grazioso | Tariq Harb | D Major | 1 | 10B | 58 BPM | ||
| Guitar Suite No. 1: III. Into a Clearing | Peter Scott Lewis | G Minor | 0 | 6A | 94 BPM | ||
| Les guitares bien tempérées, Preludes and Fugues, Op. 199: Prelude No. 3 in A Minor (the Well-Tempered Guitars) | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | A Minor | 1 | 8A | 175 BPM | ||
| Tulips in Amsterdam | Fairy | A Major | 2 | 11B | 48 BPM | ||
| Milonga del viento | Jorge Morel, Ricardo Cobo | E Minor | 0 | 9A | 164 BPM | ||
| Guitar Sonata No. 3: I. Allegro moderato | Manuel Ponce, Shiri Coneh | G Minor | 2 | 6A | 130 BPM | ||
| Triptych, Op. 102: II. Eternal Song | Gerard Drozd, Lily Afshar | F♯ Minor | 0 | 11A | 81 BPM | ||
| Villa-Lobos: Guitar Preludes, W419: No. 2 in E Major | Heitor Villa-Lobos, Liat Cohen | G Major | 2 | 9B | 129 BPM | ||
| Guitar Sonata No. 3: II. Chanson: Andantino molto espressivo | Manuel Ponce, Pablo Garibay | D Minor | 0 | 7A | 71 BPM | ||
| Cantos de mi tierra | José María Huertas, Dúo Ángel Barrios, Javier Santos | A Minor | 3 | 8A | 111 BPM |