"#5" by Aphex Twin had its release date on March 7, 1994. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 24 in the song's album "Selected Ambient Works Volume II". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. The popularity of #5 is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With #5 by Aphex Twin having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Time forest | Hiroshi Yoshimura | D Minor | 1 | 7A | 76 BPM | ||
| We No Longer Need Ourselves | Secede | C Major | 5 | 8B | 124 BPM | ||
| Heresy Part 4 | Lustmord | D♭ Major | 3 | 3B | 137 BPM | ||
| midi pipe1c sds3time cube/klonedrm | AFX | D Minor | 4 | 7A | 198 BPM | ||
| Gwely Mernans | Aphex Twin | A♭ Major | 0 | 4B | 136 BPM | ||
| In the Ballroom | Biosphere | B Major | 2 | 1B | 70 BPM | ||
| Rae | Autechre | B♭ Major | 6 | 6B | 130 BPM | ||
| Max | The Future Sound Of London | F♯ Major | 2 | 2B | 126 BPM | ||
| Endorphin | Burial | C Minor | 3 | 5A | 169 BPM | ||
| Nine | Autechre | A♭ Minor | 2 | 1A | 167 BPM | ||
| 心合成 | t e l e p a t h テレパシー能力者 | E Major | 4 | 12B | 115 BPM | ||
| Red Velvet or Nothing | Belong | G Major | 4 | 9B | 73 BPM | ||
| Les Paul Sanitarium | Chihei Hatakeyama | A Major | 1 | 11B | 68 BPM | ||
| GAK 1 | Gak | D♭ Minor | 4 | 12A | 142 BPM | ||
| Predawn Visions | You'll Never Get to Heaven | A Minor | 1 | 8A | 136 BPM | ||
| Clipper | Autechre | A♭ Major | 9 | 4B | 160 BPM | ||
| Time to Find Me - AFX Fast Mix | Seefeel, AFX | B Minor | 5 | 10A | 107 BPM | ||
| Kobresia | Biosphere | E♭ Minor | 1 | 2A | 62 BPM | ||
| Local Forecast | Casino Versus Japan | C Major | 6 | 8B | 125 BPM | ||
| Cryo | Oneohtrix Point Never | B♭ Minor | 1 | 3A | 111 BPM | ||
| Zauberberg 1 | GAS | D Major | 3 | 10B | 122 BPM | ||
| Industrious | Seefeel | B Major | 7 | 1B | 120 BPM | ||
| I Imagine | Susumu Yokota | E Major | 2 | 12B | 166 BPM | ||
| Parallel Minds | Oneohtrix Point Never | E♭ Minor | 4 | 2A | 114 BPM | ||
| Yage | The Future Sound Of London | G Minor | 9 | 6A | 82 BPM |