On January 2, 1995, the song "Access Denied (Techno)" was released by Steve Everitt. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Access Denied (Techno)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 25 in Clever Kidz (Edited) by Andrew Blythe, Marten Joustra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Access Denied (Techno)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Access Denied (Techno) by Steve Everitt is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Zero Hour | Reynard Seidel | G Major | 3 | 9B | 98 BPM | ||
| Stardust | Avalon Zero, David Chappell | B♭ Minor | 3 | 3A | 135 BPM | ||
| Absolution | City & Vine | D Major | 6 | 10B | 100 BPM | ||
| How It Ends | Atli Örvarsson | A♭ Major | 7 | 4B | 112 BPM | ||
| The Call of the North | Skaldborn | D Major | 7 | 10B | 200 BPM | ||
| For All of Us | Roman P | E Minor | 7 | 9A | 160 BPM | ||
| Face the Darkness | David Chappell, Atom Music Audio | F♯ Minor | 5 | 11A | 120 BPM | ||
| Dr. Gley - Gley Theme | Stephen Barton | B♭ Minor | 9 | 3A | 120 BPM | ||
| The Red Line | Christoffer Moe Ditlevsen | C Major | 4 | 8B | 110 BPM | ||
| Hordes | Jo Wandrini | D♭ Major | 6 | 3B | 134 BPM | ||
| The Turning Point | Cold Cinema | A♭ Major | 9 | 4B | 105 BPM | ||
| Subduction | David Chappell | F♯ Minor | 7 | 11A | 90 BPM | ||
| Awaiting Darkness | Benjamin Hayden, Fired Earth Music, James Murray | G Major | 4 | 9B | 170 BPM | ||
| Loved Beyond Measure | InfraSound Music | F♯ Minor | 5 | 11A | 98 BPM | ||
| The Arrival | Evgeny Bardyuzha | A Minor | 7 | 8A | 100 BPM | ||
| Warborn | Florews | A Minor | 9 | 8A | 110 BPM | ||
| It Falls To You Now | VG Dragon | D Minor | 5 | 7A | 135 BPM | ||
| Excess Beat | Steve Everitt | C Major | 8 | 8B | 104 BPM | ||
| Quantum Field | Really Slow Motion, Giant Apes | F Major | 5 | 7B | 62 BPM | ||
| Vengeance (Lyrical Mix) | Zack Hemsey | A♭ Major | 4 | 4B | 80 BPM | ||
| Waver | Steve Everitt, Hypersonic Music | D Major | 3 | 10B | 175 BPM | ||
| Legends | Steve Everitt | A Major | 9 | 11B | 150 BPM | ||
| All Consumed | Adam Salkeld, Neil Pollard | B♭ Minor | 6 | 3A | 110 BPM | ||
| Tempest (Original Gabriel Lander Soundtrack) | Gabriel Lander | G Minor | 9 | 6A | 120 BPM | ||
| In Music We Trust | Epic Soul Factory | F Major | 6 | 7B | 124 BPM |