"Quis Est Homo" by Andreas Scholl had its release date on November 1, 2010. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Andreas Scholl's "Marco Rosano: Stabat Mater" album is number 3 out of 13. On top of that, Turks and Caicos Islands appears to be the country where this track was created. The popularity of Quis Est Homo is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quis Est Homo by Andreas Scholl to be Presto (very, very fast) because the track has a tempo of 180 BPM, a half-time of 90BPM, and a double-time of 360 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Flow, my tears | John Dowland, Andreas Martin, Andreas Scholl | F♯ Minor | 1 | 11A | 74 BPM | ||
| Giulio Cesare / Act 3: Aure, deh, per pietà | George Frideric Handel, Andreas Scholl, Accademia Bizantina, Ottavio Dantone | F♯ Minor | 1 | 11A | 131 BPM | ||
| Manna: Laudate pueri: IV. Gloria | Gennaro Manna, Jakub Józef Orliński, Il pomo d'oro Choir, Francesco Corti, Il Pomo D'oro | E Major | 2 | 12B | 80 BPM | ||
| Petite messe solennelle: Kyrie. Kyrie eleison (1863 chamber Version) | Gioachino Rossini, Mireille Capelle, Catherine Patriasz, Joseph Cornwell, Jelle Draijer, Leo Van Doeselaar, Jos Van Immerseel, Wyneke Jordans, Netherlands Chamber Choir | C Major | 0 | 8B | 129 BPM | ||
| Afstuderen | Raf Vandermeulen, Andreas Scholl, Raphael Bell, Nikolaas Kende | B Major | 1 | 1B | 67 BPM | ||
| Hasse: Serpentes ignei in deserto: Introduzione: II. Fugue | Johann Adolf Hasse, Thibault Noally, Les Accents | A Major | 2 | 11B | 83 BPM | ||
| Requiem, Op. 48: Pie Jesu | Gabriel Fauré, Collegium Vocale Gent, Johannette Zomer, La Chapelle Royale, Philippe Herreweghe | B♭ Major | 0 | 6B | 83 BPM | ||
| Dido and Aeneas / Act 1: "Shake the cloud from off your brow" | Henry Purcell, Emma Kirkby, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 129 BPM | ||
| Cantate BWV 85 "Ich Bin Ein Guter Hirt": II. Aria | Johann Sebastian Bach, Christophe Coin, Ensemble Baroque De Limoges, Concerto Vocale De Leipzig, Gotthold Schwarz, Andreas Scholl | F♯ Minor | 0 | 11A | 81 BPM | ||
| Dixit Dominus, HWV 232, Dixit Dominus, HWV 232: I. Chorus "Dixit Dominus" | George Frideric Handel, Hélène Guilmette, Malcolm Bennett, Akademie für Alte Musik Berlin, Vocalconsort Berlin, Andreas Scholl, Malcolm Bennet, Marcus Creed | F♯ Minor | 4 | 11A | 108 BPM | ||
| Emily — No Prisoner Be: No. 3, The Soul selects her own Society | Kevin Puts, Time For Three, Joyce DiDonato | A♭ Major | 1 | 4B | 69 BPM | ||
| Hahn: 20 Mélodies: No. 20 À Chloris | Philippe Jaroussky | D Major | 0 | 10B | 70 BPM | ||
| Petite Messe solennelle, Kyrie: II. Christe | Gioachino Rossini, RIAS Kammerchor, Marcus Creed | F Minor | 0 | 4A | 149 BPM | ||
| Cavalli: O quam suavis | Francesco Cavalli, Philippe Jaroussky, Artaserse | G Minor | 1 | 6A | 102 BPM | ||
| Stabat Mater pour dix voix et basse continue: VIII. Inflammatus et accensus | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F♯ Major | 1 | 2B | 169 BPM | ||
| À la fin cette bergère | Antoine Boësset, Claire Lefilliâtre, Bruno Le Levreur, Jean-François Novelli, Arnaud Marzorati, Le Poème Harmonique, Vincent Dumestre | C Major | 1 | 8B | 128 BPM | ||
| Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM | ||
| Orfeo ed Euridice: Act I, Scene 1, Orfeo: Chiamo il mio ben così | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester | F Major | 1 | 7B | 171 BPM | ||
| Emily — No Prisoner Be: No. 9, I Felt a Funeral | Kevin Puts, Time For Three, Joyce DiDonato | A♭ Major | 1 | 4B | 69 BPM | ||
| Stabat Mater, RV 621: VIII. Fac ut ardeat | Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini | E Minor | 1 | 9A | 132 BPM | ||
| Stabat Mater, RV 621: VI. Pro peccatis suae gentis | Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini | E Minor | 1 | 9A | 68 BPM | ||
| Dixit Dominus, RV 595: Tecum principium: Allegro | Antonio Vivaldi, Jane Archibald, Michele de Boer, Anita Krause, Peter Mahon, Nils Brown, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | A♭ Minor | 1 | 1A | 118 BPM | ||
| Miserere, Op. 44: 11. Miserere nobis - Lento, tranquilissimo, cantabilissimo, dolcissimo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | A Minor | 0 | 8A | 129 BPM | ||
| Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: Here The Deities Approve | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B♭ Minor | 2 | 3A | 105 BPM | ||
| Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM |