Lycia's ' "The Better Things to Come" was released on its scheduled release date, April 3, 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 26 in the song's album "The Burning Circle and Then Dust". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. The popularity of The Better Things to Come is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With The Better Things to Come by Lycia having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lost Cause | Rise And Fall Of A Decade | E♭ Minor | 5 | 2A | 108 BPM | ||
| Masked | The Wake | B Minor | 6 | 10A | 96 BPM | ||
| Blood Red | Rose Chronicles | C Major | 4 | 8B | 118 BPM | ||
| Broken Glass | Miranda Sex Garden | F♯ Minor | 4 | 11A | 110 BPM | ||
| Nothing's Real | Rose Chronicles | A Major | 6 | 11B | 113 BPM | ||
| remnants of a deeper purity | Black Tape For A Blue Girl | A♭ Minor | 4 | 1A | 108 BPM | ||
| Drowning, Like The Garden | Mephisto Walz | G Major | 7 | 9B | 98 BPM | ||
| Shattered in Aspect | Faith And The Muse | A Major | 6 | 11B | 132 BPM | ||
| Off Pale Yellow | Lowlife | D Major | 6 | 10B | 126 BPM | ||
| The First | Pink Turns Blue | A Major | 7 | 11B | 156 BPM | ||
| Spider and The Fly | London After Midnight | D♭ Minor | 9 | 12A | 115 BPM | ||
| Under a Dark Sky | The Shroud | G Major | 7 | 9B | 152 BPM | ||
| This Moment | Lycia | B♭ Major | 8 | 6B | 113 BPM | ||
| Euphrosyne | Mephisto Walz | E Major | 5 | 12B | 130 BPM | ||
| Kiss | London After Midnight, Sean Brennan | A♭ Major | 9 | 4B | 94 BPM | ||
| Marie Don't Sleep in Your Makeup | Faith & Disease | F♯ Minor | 3 | 11A | 84 BPM | ||
| The Dust Settles Part 2 | Lycia | E Minor | 7 | 9A | 138 BPM | ||
| Freon Heart, Fayence Mind | The frozen Autumn | A♭ Major | 6 | 4B | 120 BPM | ||
| Sleepless | Lycia | E Major | 7 | 12B | 53 BPM | ||
| Torn | Rose Chronicles | G Major | 6 | 9B | 120 BPM | ||
| Desert | Lycia | F Major | 8 | 7B | 95 BPM | ||
| Later | Lycia | G Major | 5 | 9B | 111 BPM | ||
| Cruelty Games | Diva Destruction | D Minor | 8 | 7A | 140 BPM | ||
| Summer's Gone | An April March | B♭ Minor | 8 | 3A | 100 BPM | ||
| Whore Disciple | Sanguis et Cinis | D Major | 7 | 10B | 135 BPM |