"Funeral" by Benjamin Wallfisch had its release date on August 29, 2025. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Funeral's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "The Conjuring: Last Rites (Original Motion Picture Soundtrack)". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. In terms of popularity, Funeral is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Funeral by Benjamin Wallfisch having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The White Whale Chant | Roque Baños | A♭ Major | 2 | 4B | 78 BPM | ||
| A Place by the Sea | Dominik Scherrer | D Minor | 3 | 7A | 75 BPM | ||
| Margaret and Townsend | Rupert Gregson-Williams | D Minor | 1 | 7A | 165 BPM | ||
| Memories of Harry | Henry Jackman, Matthew Margeson | G Major | 1 | 9B | 81 BPM | ||
| Meeting the Others | West Dylan Thordson | E♭ Minor | 1 | 2A | 139 BPM | ||
| The End Of The World | Clinton Shorter | E Minor | 1 | 9A | 79 BPM | ||
| Locomotives | Ruth Barrett | A♭ Minor | 4 | 1A | 94 BPM | ||
| Life | Marc Streitenfeld | E Major | 1 | 12B | 69 BPM | ||
| The Big Top Will Come A-Callin' Again | Benjamin Wallfisch | A♭ Major | 2 | 4B | 80 BPM | ||
| Tsimtsum | Mychael Danna | F♯ Minor | 1 | 11A | 63 BPM | ||
| Secrets and Lies | Atli Örvarsson | A Minor | 2 | 8A | 75 BPM | ||
| Turning Point | Carlos Rafael Rivera | B♭ Major | 0 | 6B | 84 BPM | ||
| For a Reason | Ilan Eshkeri | A Minor | 1 | 8A | 84 BPM | ||
| Irrevocable | Atli Örvarsson | D♭ Major | 2 | 3B | 79 BPM | ||
| Night Manager Desk | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Last Days of Innocence | Christopher Willis | D Major | 2 | 10B | 49 BPM | ||
| THE PROTAGONIST | Ludwig Göransson | E♭ Minor | 0 | 2A | 100 BPM | ||
| Mountbatten | Martin Phipps | E♭ Major | 1 | 5B | 73 BPM | ||
| Months, Days, Hours | Alexis Grapsas | C Major | 0 | 8B | 73 BPM | ||
| Pure spirits of the forest | James Horner | C Major | 0 | 8B | 97 BPM | ||
| Tidal Wave | Harald Kloser | F Major | 5 | 7B | 145 BPM | ||
| End Credits - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | E♭ Major | 0 | 5B | 67 BPM | ||
| Hollow in the Ferns | Craig Armstrong | D Minor | 1 | 7A | 85 BPM | ||
| The Heath | Dan Romer | A♭ Major | 1 | 4B | 75 BPM | ||
| Origin Story | West Dylan Thordson | G Minor | 5 | 6A | 80 BPM |