Tej Karan Rao, Rekha Rao's ' "Mat Maro Re Shyam Rang Pichkari" was released on its scheduled release date, March 23, 2001. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Nachto Gaato Rajasthan". In this album, this song's track order is #10. Furthermore, we believe that the track originated from India. Based on our statistics, Mat Maro Re Shyam Rang Pichkari's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Mat Maro Re Shyam Rang Pichkari by Tej Karan Rao, Rekha Rao having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chahe Jaise Mujhe Rakh Lo | Reshmi Sharma | C Minor | 3 | 5A | 80 BPM | ||
| Kachnar Kali | Gorelal Barman | F♯ Major | 9 | 2B | 136 BPM | ||
| Sire Mandir Nav Natho Ro Dham - Original | Jog Bharti, Geeta Goswami | C Minor | 8 | 5A | 90 BPM | ||
| Chham Chham Baaje Ghunghroo | Tej Karan Rao, Rekha Rao | D♭ Minor | 6 | 12A | 94 BPM | ||
| Ek Baar Jo Raghuvar Ki Nazron Ka Ishara Ho Jaaye | Hr Vaibhaw | E Minor | 5 | 9A | 75 BPM | ||
| Aayi Jo Unki Yaad Toh | Tej Karan Rao, Rekha Rao | C Minor | 7 | 5A | 154 BPM | ||
| Kar Do Naam Deewana | Vidhi Sharma | D♭ Major | 8 | 3B | 78 BPM | ||
| Tu To Phasi Kaal Ke Jaal | Radha Swami Satsang Dinod | D♭ Major | 3 | 3B | 149 BPM | ||
| Chahe Kitna Kamalo Bande Doller Pound Mein | Gaurangi Gauri Ji | D♭ Major | 8 | 3B | 150 BPM | ||
| Ye Rani Mola Jhan Tarsa | Gorelal Barman | F♯ Major | 9 | 2B | 136 BPM | ||
| Mattha Tek Le Bheru Ke Dar Aake | Vaibhav | F Minor | 9 | 4A | 135 BPM | ||
| Lutti Lutti Bhateri Moj | Chitra Vichitra Ji Maharaj | B♭ Major | 9 | 6B | 100 BPM | ||
| Chundadi | Surbhi Chaturvedi | D♭ Minor | 6 | 12A | 114 BPM | ||
| Kalindar Ke Beeja | Nilkamal Vaishnav | E♭ Major | 9 | 5B | 136 BPM | ||
| Palkein Uthake Dekhiye (Instrumental) | Nikhil Vinay | G Minor | 8 | 6A | 114 BPM | ||
| Riddhi Siddhi Ke Data | Sinvangi Sharma | B♭ Minor | 6 | 3A | 85 BPM | ||
| Jag Ja O Bhi Jag | Saint Dr Gurmeet Ram Rahim Singh Ji Insan | A♭ Minor | 6 | 1A | 96 BPM | ||
| Teri Ankhon Mein | Sushil Toppo | F♯ Minor | 7 | 11A | 88 BPM | ||
| Jabse Hua Pardesi | Devinder Kohinoor | E♭ Minor | 6 | 2A | 115 BPM | ||
| Kah Dena Sabaa | Chand Afzaal Qadri | B♭ Major | 5 | 6B | 110 BPM | ||
| Tu Pass Aa Ja Zara | Ayesha Khan | F Minor | 6 | 4A | 143 BPM | ||
| Tu to Bhul Gi | Tahseem Dehangal, Aslam Singer Mewati | G Minor | 9 | 6A | 105 BPM | ||
| Maiya Sudh Nahi Bisaru | Shahnaz Akhtar | D♭ Major | 5 | 3B | 105 BPM | ||
| Wo Chhoro Maangi Lal | Tej Karan Rao, Rekha Rao | C Minor | 7 | 5A | 142 BPM | ||
| Ek Gaon Mein Ek Ladki Thi | Devinder Kohinoor | C Major | 5 | 8B | 71 BPM |