"Julia" by Geoffrey Burgon had its release date on January 1, 1981. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 16 in Brideshead Revisited (Music from the Original TV Series) by Geoffrey Burgon. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Julia is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Julia by Geoffrey Burgon is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cefeidas : 2. El Pensamiento crítico | Juan Pablo Fernández Ramos | F Major | 1 | 7B | 87 BPM | ||
| Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
| Notte Quieta | Luciano Lombardi | G Minor | 2 | 6A | 85 BPM | ||
| College Grounds | Barrington Pheloung, London Metropolitan Orchestra | A Minor | 2 | 8A | 181 BPM | ||
| Baby Mothers Unashamed Mothers | Danke Timi Briggs | G Minor | 2 | 6A | 147 BPM | ||
| The Grand Ball | Jan A.P. Kaczmarek | A Minor | 3 | 8A | 126 BPM | ||
| By The Sleepy Lagoon: By the Sleepy Lagoon | Eric Coates, Slovak Radio Symphony Orchestra, Andrew Penny | C Major | 2 | 8B | 134 BPM | ||
| Mozart: Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Aurèle Nicolet, Münchener Bach-Orchester, Karl Richter, Rose Stein | F Major | 1 | 7B | 87 BPM | ||
| Home And The Betrothal | Richard Robbins, Richard Robbins And Orchestra, Orchestra | G Major | 1 | 9B | 99 BPM | ||
| Emma Opening Titles (From "Emma") [1996 Version] | Regency Players | A Major | 2 | 11B | 83 BPM | ||
| Handwriting | Nico Muhly | E Minor | 0 | 9A | 86 BPM | ||
| Three American Sketches: II. Old Boston | George Martin, Berlin Music Ensemble, Craig Leon | B Minor | 1 | 10A | 91 BPM | ||
| Almost As Beautiful As His Mother | Debbie Wiseman | F Major | 1 | 7B | 92 BPM | ||
| Sketch of a Daddy | Haydn Wood, Slovak Radio Symphony Orchestra, Adrian Leaper | F Major | 1 | 7B | 115 BPM | ||
| Brideshead Revisited: No. 8, That First Visit | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
| Middlemarch | Stanley Myers | F Major | 2 | 7B | 87 BPM | ||
| Three Nocturnes for Harp: No. 3, Moderato | Geoffrey Burgon, Sarah Bullen | F Major | 0 | 7B | 71 BPM | ||
| actual | maxflow | D♭ Major | 1 | 3B | 57 BPM | ||
| A Final Request | George Fenton | A♭ Minor | 2 | 1A | 99 BPM | ||
| Culinary Harmony | Estoria | F Major | 1 | 7B | 87 BPM | ||
| Eirl Theme | Barrington Pheloung | D Major | 1 | 10B | 120 BPM | ||
| Winter Nights | Pro Arte Orchestra Of London, Michael Davis, Alexandre Desplat | D Minor | 1 | 7A | 83 BPM | ||
| An Evolving Mystery | Barrington Pheloung | A Minor | 1 | 8A | 79 BPM | ||
| Viola Concerto "Ghosts of the Dance": II. Second Dance. Lento, quasi tango | Geoffrey Burgon, City of London Sinfonia, Philip Dukes, Rumon Gamba | A Minor | 0 | 8A | 98 BPM | ||
| Zonas de Paso | Las Eternas | E♭ Major | 3 | 5B | 81 BPM |