"GENESIS" by Eir Aoi had its release date on October 19, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 13 in BEST -E- by Eir Aoi. Based on our statistics, GENESIS's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of GENESIS by Eir Aoi is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 月を追う真夜中 | Eir Aoi | D Major | 10 | 10B | 176 BPM | ||
| ヒトヒラのハナビラ | Stereopony | D♭ Major | 9 | 3B | 140 BPM | ||
| The♡World's♡End | Yui Horie | G Major | 9 | 9B | 120 BPM | ||
| ラヴァーズ | 7!! | B Major | 10 | 1B | 164 BPM | ||
| 流星 | Eir Aoi | A Minor | 9 | 8A | 143 BPM | ||
| STRIKE BACK | BACK-ON | D♭ Major | 9 | 3B | 180 BPM | ||
| Shiko | Saori Hayami | C Minor | 8 | 5A | 161 BPM | ||
| 乙女どもよ。 | CHiCO with HoneyWorks | E Major | 8 | 12B | 172 BPM | ||
| Rea(s)oN | 神崎エルザ | A Major | 8 | 11B | 160 BPM | ||
| Evidence | Daisy×Daisy | G Major | 9 | 9B | 160 BPM | ||
| THERE IS A REASON | Konomi Suzuki | F♯ Minor | 8 | 11A | 134 BPM | ||
| ハートリアライズ | Tia | B♭ Minor | 10 | 3A | 178 BPM | ||
| starry | Mashiro Ayano | A♭ Major | 9 | 4B | 175 BPM | ||
| ヒカリ | 神崎エルザ | E Major | 8 | 12B | 97 BPM | ||
| Hello Alone | Yukinoshitayukino(CV.HayamiSaori), Yuigahamayui(CV.ToyamaNao) | D♭ Major | 8 | 3B | 112 BPM | ||
| SWEET HURT | ReoNa | C Major | 7 | 8B | 168 BPM | ||
| 7-seven- | FLOW, GRANRODEO | D Major | 9 | 10B | 170 BPM | ||
| disillusion | タイナカ サチ | A♭ Major | 9 | 4B | 168 BPM | ||
| さよならのゆくえ | Alisa Takigawa | G Major | 9 | 9B | 170 BPM | ||
| 燦々デイズ | スピラ・スピカ | F♯ Major | 9 | 2B | 180 BPM | ||
| Key of Truth | sweet ARMS | E Minor | 10 | 9A | 96 BPM | ||
| Steppin' out | FLOW | F Minor | 10 | 4A | 140 BPM | ||
| NEVER-END TALE | Tatsuyuki Kobayashi, Konomi Suzuki | F Major | 9 | 7B | 178 BPM | ||
| ホタルノヒカリ | Ikimonogakari | D Minor | 9 | 7A | 147 BPM | ||
| 雪の果てに君の名を | nonoc | F♯ Major | 6 | 2B | 176 BPM |