Kevin Morby's ' "Miles, Miles, Miles" was released on its scheduled release date, November 26, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Kevin Morby's "Harlem River" album is number 1 out of 8. On top of that, United States appears to be the country where this track was created. In terms of popularity, Miles, Miles, Miles is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Miles, Miles, Miles by Kevin Morby to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Glass | Michael Nau | C Major | 5 | 8B | 100 BPM | ||
| Tidal Wave | Husky | E Minor | 3 | 9A | 119 BPM | ||
| Silent Ivy Hotel | EL VY | B Minor | 6 | 10A | 94 BPM | ||
| Rolling Sea | Vetiver | D Major | 3 | 10B | 135 BPM | ||
| Can We Really Party Today? | Jonathan Wilson | G Major | 3 | 9B | 126 BPM | ||
| The Keepers | Ty Segall | F Major | 5 | 7B | 139 BPM | ||
| Outer Space | John Grant | A♭ Major | 4 | 4B | 120 BPM | ||
| Terror in the Canyons (The Wounded Master) | Phosphorescent | E♭ Major | 6 | 5B | 130 BPM | ||
| Absolute Loser | Fruit Bats | G Major | 5 | 9B | 90 BPM | ||
| Sincere Replies | Damien Jurado, Richard Swift | D Major | 6 | 10B | 108 BPM | ||
| I'm All Wrong | Juan Wauters | C Major | 4 | 8B | 126 BPM | ||
| Hollow Home | Woods | F♯ Minor | 8 | 11A | 145 BPM | ||
| Last Words To A Refugee | Cut Worms | A♭ Major | 5 | 4B | 149 BPM | ||
| Out In the Cold | Ultimate Painting | A Major | 7 | 11B | 115 BPM | ||
| Bassackwards | Kurt Vile | G Major | 6 | 9B | 95 BPM | ||
| When The Roses Bloom Again | Billy Bragg, Wilco | C Major | 4 | 8B | 113 BPM | ||
| Falling to Believe | Doug Tuttle | F♯ Minor | 5 | 11A | 116 BPM | ||
| The Boat Song | The Black Angels | G Major | 5 | 9B | 105 BPM | ||
| O! Grace | Magnolia Electric Co., Jason Molina | F♯ Major | 5 | 2B | 96 BPM | ||
| Lets Win! | Alex Ebert | C Major | 4 | 8B | 123 BPM | ||
| Overpaid | Chris Staples | G Major | 5 | 9B | 122 BPM | ||
| Relieved | Bonny Doon | D Major | 7 | 10B | 110 BPM | ||
| Flirted With You All My Life | Vic Chesnutt | F Major | 3 | 7B | 100 BPM | ||
| Reasons To Quit | Phosphorescent | B♭ Major | 5 | 6B | 71 BPM | ||
| Canyon in the Rain | Jonathan Wilson | D Major | 3 | 10B | 130 BPM |