Thomas Newman's ' "Shanghai Drive" was released on its scheduled release date, October 19, 2012. With This song being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Skyfall". In this album, this song's track order is #6. Based on our statistics, Shanghai Drive's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Shanghai Drive by Thomas Newman having a BPM of 156 with a half-time of 78 BPM and a double-time of 312 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Welcome to Lunar Industries (Three Year Stretch....) | Clint Mansell | C Major | 3 | 8B | 115 BPM | ||
| Furious Angels - Instrumental | Rob Dougan | G Minor | 8 | 6A | 114 BPM | ||
| Heading To Elysium | Ryan Amon | D♭ Major | 5 | 3B | 95 BPM | ||
| Pieces Form the Whole | Trent Reznor and Atticus Ross | D♭ Major | 4 | 3B | 156 BPM | ||
| James Bond Theme - Moby's Re-Version | Moby | D♭ Major | 10 | 3B | 189 BPM | ||
| Where Do These Tubes Go? | Steve Jablonsky | D Major | 3 | 10B | 196 BPM | ||
| District 9 | Clinton Shorter | C Minor | 3 | 5A | 135 BPM | ||
| The Dark Knight Triumphant / End Titles | Christopher Drake | A Major | 3 | 11B | 101 BPM | ||
| Night Manager Desk | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Dark Fate | Junkie XL | B♭ Minor | 7 | 3A | 88 BPM | ||
| My Dream Ended Here | Johnny Klimek, Tom Tykwer | F Minor | 3 | 4A | 134 BPM | ||
| Logo-Bakersfield - Full-Length Version | Harold Faltermeyer | E Major | 4 | 12B | 129 BPM | ||
| We Have Location | Daniel Pemberton | A Minor | 5 | 8A | 106 BPM | ||
| Transfighter | Replicant | A Major | 9 | 11B | 123 BPM | ||
| Spectre - End Title | Thomas Newman | C Minor | 2 | 5A | 160 BPM | ||
| Embankment | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Passenger 57 Main Title | Stanley Clarke | B♭ Major | 7 | 6B | 105 BPM | ||
| Ten Thirty | Terence Blanchard | D Major | 4 | 10B | 86 BPM | ||
| Fire Escape Night Shift | Sean Callery | F♯ Minor | 3 | 11A | 140 BPM | ||
| The Beacon Project | Steve Jablonsky | E Minor | 5 | 9A | 93 BPM | ||
| The Drums Of War | Daniel Pemberton | G Major | 5 | 9B | 137 BPM | ||
| From Man to God King | Junkie XL | F Minor | 3 | 4A | 80 BPM | ||
| A Day in the Life | Nathan Johnson | A♭ Major | 4 | 4B | 130 BPM | ||
| 1.1_6-believe-in-erasing.au | Mac Quayle | A Minor | 7 | 8A | 101 BPM | ||
| Postcards | Alexandre Desplat | A Minor | 1 | 8A | 84 BPM |