Duke Pearson's ' "Book's Bossa" was released on its scheduled release date, January 1, 1974. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Duke Pearson's "It Could Only Happen With You" album is number 7 out of 7. On top of that, United States appears to be the country where this track was created. In terms of popularity, Book's Bossa is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Book's Bossa by Duke Pearson to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| East Thirty-Second Street | Lennie Tristano | A♭ Major | 4 | 4B | 129 BPM | ||
| Mean To Me | Nat Adderley, Wes Montgomery | F Minor | 1 | 4A | 133 BPM | ||
| Stay As Sweet As You Are | Sonny Red | C Major | 1 | 8B | 112 BPM | ||
| You Stepped Out Of A Dream | Eddie "Lockjaw" Davis | A♭ Major | 3 | 4B | 82 BPM | ||
| I Wish I Knew | Blue Mitchell | G Major | 3 | 9B | 107 BPM | ||
| I'm Glad There Is You | Duke Pearson | F Major | 2 | 7B | 133 BPM | ||
| Melba's Mood - Remastered | Bennie Green | E♭ Minor | 3 | 2A | 125 BPM | ||
| Oscalypso - Remastered 2008/Rudy Van Gelder Edition | Curtis Fuller | D Minor | 6 | 7A | 106 BPM | ||
| Like Someone In Love | Duke Pearson | D Minor | 4 | 7A | 147 BPM | ||
| Virgo - Remastered 2004 / Rudy Van Gelder Edition | Wayne Shorter | D Minor | 1 | 7A | 107 BPM | ||
| Girl Talk | Shirley Scott | A Minor | 1 | 8A | 180 BPM | ||
| Shades Of Blue | The Don Rendell / Ian Carr Quintet | A Minor | 1 | 8A | 60 BPM | ||
| Strange Feeling | Billy Strayhorn | F Minor | 1 | 4A | 101 BPM | ||
| 3 A.M. | Duke Pearson | B Major | 6 | 1B | 110 BPM | ||
| No blues | Horace Parlan | F Major | 3 | 7B | 91 BPM | ||
| Song For My Father | Richard "Groove" Holmes | B♭ Minor | 5 | 3A | 114 BPM | ||
| Blues For Gwen | McCoy Tyner Trio | F Minor | 3 | 4A | 108 BPM | ||
| Yesterdays | Clifford Brown, Max Roach Quintet | F Major | 2 | 7B | 75 BPM | ||
| Blues Changes | Ray Bryant Trio | A♭ Major | 2 | 4B | 113 BPM | ||
| Things Ain't What They Used To Be | The Three Sounds | F Minor | 3 | 4A | 105 BPM | ||
| Come Sunday | Tommy Flanagan | G Major | 3 | 9B | 129 BPM | ||
| Adam's Apple - Remastered | Wayne Shorter | E♭ Minor | 5 | 2A | 85 BPM | ||
| Carmell's Black Forest Waltz | Nathan Davis, Carmell Jones | C Minor | 3 | 5A | 108 BPM | ||
| Wise One | John Coltrane Quartet | E Minor | 3 | 9A | 130 BPM | ||
| Solace | Billy Taylor | A♭ Major | 1 | 4B | 83 BPM |