Meera Rana, Rupi Singh's ' "Najhimkau Aankha" was released on its scheduled release date, July 14, 1998. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "Sughandha-R". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Norway. Najhimkau Aankha is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Najhimkau Aankha by Meera Rana, Rupi Singh having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hinnu Paryo Gunu Cholima | Bam Bahadhur Karki, Meera Rana | E♭ Minor | 7 | 2A | 191 BPM | ||
| Hajurlai Denkhe | Natikaji, Meera Rana | B♭ Major | 6 | 6B | 127 BPM | ||
| Kaliyu Nintha | Rajkumar | F Minor | 7 | 4A | 142 BPM | ||
| Oi Dur Diganta Pare | Mohammed Rafi, Binod Chatterjee | A♭ Minor | 1 | 1A | 78 BPM | ||
| Prapanchavembudu | Ravindranath Desai | A♭ Minor | 4 | 1A | 97 BPM | ||
| Timro Har Prashnako | Shambhujeet Baskota, Deepak Kharel | G Major | 6 | 9B | 107 BPM | ||
| Ne Kaandibaa Ne Kaandibaa | Bhupen Hazarika | B Major | 3 | 1B | 140 BPM | ||
| Timi Eak Phool | Gopal Yonjan, Narayan Gopal, Aruna Lama | A Major | 2 | 11B | 137 BPM | ||
| Heu Paryo Phururu | Roj Moktan | C Major | 7 | 8B | 86 BPM | ||
| Ki Bole Daki Tore Ma | Dhananjay Bhattacharya | F Major | 3 | 7B | 79 BPM | ||
| Nandinina Bhagya | Puttur Narasimha Nayak, B. R. Chaya, Ratnamala Prakash | G Minor | 5 | 6A | 127 BPM | ||
| Aau Aba | Suresh kumar | F Major | 3 | 7B | 70 BPM | ||
| Maa Achen Aar Ami Achhi | Mahesh Ranjan Shome | G Major | 5 | 9B | 88 BPM | ||
| Aankhale Dekhyo | Jashdhoj Gurung, Meera Rana | A♭ Major | 4 | 4B | 116 BPM | ||
| Hari Bhajane Mado | Bhimsen Joshi | A♭ Major | 5 | 4B | 107 BPM | ||
| Arunkanti Ke Go Jogi | Manabendra Mukherjee | E Major | 2 | 12B | 75 BPM | ||
| Ganer Surer Asankhani | Suchitra Mitra | E♭ Major | 5 | 5B | 182 BPM | ||
| Akash Paare Taray Taray - Nirmala Misra | Nirmala Mishra, Anal Chatterjee | F Major | 4 | 7B | 112 BPM | ||
| Mero Topi | Gopal Yonjan | D♭ Major | 3 | 3B | 101 BPM | ||
| Elemana Murari | Bhimsen Joshi | B Major | 7 | 1B | 87 BPM | ||
| Panchhi Ma Ramro Danfe | Ananda Karki, Kunti Moktan, Mamata Dipbim, Meera Rana, Raju Lama-mongolian Heart | E♭ Major | 8 | 5B | 86 BPM | ||
| Bhok Lagyo | Gopal Yonjan, Meera Rana | B♭ Major | 6 | 6B | 203 BPM | ||
| Surer Guru Sree Anukul | Sdipto Sekhar Mishra | F♯ Minor | 4 | 11A | 141 BPM | ||
| Aba Chot Harule Piroldaina Malai | Yam Baral | C Major | 6 | 8B | 122 BPM | ||
| Salala Pani | Jayananda Lama, Meera Rana | F Major | 5 | 7B | 189 BPM |