Christopher Gibbons, Matthew Locke, Consort Of Musicke, Anthony Rooley's 'Cupid and Death: Fifth Entry: Mercury Descends: Music for Elysium Nature, Mercury: "Where am I?"' had a release date set for 1968. With This song being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 171 in English Renaissance and Baroque Music Edition by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Cupid and Death: Fifth Entry: Mercury Descends: Music for Elysium Nature, Mercury: "Where am I?" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cupid and Death: Fifth Entry: Mercury Descends: Music for Elysium Nature, Mercury: "Where am I?" by Christopher Gibbons, Matthew Locke, Consort Of Musicke, Anthony Rooley is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Byrd: Christe redemptor a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 95 BPM | ||
| Rosenkranzsonate No. 2 in A Major, C 91 "Mary's Visit to Elizabeth": I. Sonata | Heinrich Ignaz Franz von Biber, Gunar Letzbor, Ars Antiqua Austria | F♯ Minor | 0 | 11A | 77 BPM | ||
| Sonata a 4 in F minor, Op.1: No.4, "Imitatio in Salve Regina mater misericordiæ": in C Minor: II. Adagio | Angelo Ragazzi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act II: Prelude for the Witches - Wayward Sisters - Harm's Our Delight - (Sorceress, First Witch, Chorus) | Henry Purcell, Maxim Emelyanychev, Alena Dantcheva, Beth Taylor, Il Pomo D'oro, Il pomo d'oro Choir | F♯ Minor | 0 | 11A | 172 BPM | ||
| Vergine Bella | Marco Da Gagliano, Musica Sequenza, BURAK | A Major | 0 | 11B | 84 BPM | ||
| Motetti e sonate concertati, Op. 6: No. 20, Favus distillans à 4 | Tarquinio Merula, Gerlinde Sämann, Ecco la musica | F♯ Major | 1 | 2B | 89 BPM | ||
| Canzoni da suonare, Op. 17: No. 18, La Cavagliera | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Scarlatti, A: Or che di Febo: I. Sinfonia. Largo - Adagio | Alessandro Scarlatti, The Chandos Baroque Players | D♭ Major | 0 | 3B | 74 BPM | ||
| Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
| Les Goûts-réünis - Concert No. 11 in C minor: 4. Courante I | François Couperin, Les Talens Lyriques, Christophe Rousset | G Major | 2 | 9B | 61 BPM | ||
| In nativitatem Domini canticum, H. 414: I. Praeludium | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | F♯ Major | 0 | 2B | 112 BPM | ||
| Missa si Deus pro nobis, a 16 voci: V. Gloria | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 2 | 8B | 69 BPM | ||
| Vespro della Beata Vergine, SV 206: Quia respexit | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Minor | 1 | 6A | 88 BPM | ||
| Violin Sonata No. 1 in D Minor: I. Adagio | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | D♭ Minor | 1 | 12A | 125 BPM | ||
| Vespro della Beata Vergine, SV 206: IV. Psalm "Laudate pueri Dominum" | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | F Major | 2 | 7B | 76 BPM | ||
| Requiem aeternam | Joseph Martin Kraus, Noémi Kiss, Judit Nemeth, Istvan Kovacs, Pal Benko, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Minor | 0 | 11A | 166 BPM | ||
| Sonata No. 1 in F Major, Op. 1: I. Grave | Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Albert Brüggen, Mike Fentross, Pieter-Jan Belder | E♭ Minor | 2 | 2A | 134 BPM | ||
| Cupid and Death: Fifth Entry: Mercury Descends: Song (Soprano, Bass): "Open bless'd Elysian grove" - Chorus: "If this place be not heaven" - Nature, Mercury: "O who shall guide me hence?" | Christopher Gibbons, Matthew Locke, Consort Of Musicke, Anthony Rooley | D Major | 0 | 10B | 72 BPM | ||
| Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Peter Kooij, Paul Dombrecht | F♯ Minor | 1 | 11A | 82 BPM | ||
| O Jesulein, mein Jesulein: I. | Johann Hermann Schein, Lionel Meunier, Bart Jacobs, Zsuzsi Tóth, Caroline Weynants | D Minor | 0 | 7A | 94 BPM | ||
| Sonata No. 3 in A Major, Op. 1: I. Grave | Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Albert Brüggen, Mike Fentross, Pieter-Jan Belder | G Major | 1 | 9B | 101 BPM | ||
| Sonata Sesta in F Major: II. Allemande | Philipp Heinrich Erlebach, L'Achéron, François Joubert-Caillet | F♯ Major | 2 | 2B | 116 BPM | ||
| Concerto for Recorder and Flute in E Minor, TWV 52:e1: Largo | Georg Philipp Telemann, Daniel Rothert, Elke Martha Umbach, Cologne Chamber Orchestra, Helmut Müller-Brühl | F Major | 1 | 7B | 129 BPM | ||
| Tenebrae Responsories, Feria quinta: IV. Amicus meus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 131 BPM | ||
| Gesu al Calvario, ZWV 62: Chorus. Questo e il monte salutare (Chorus) | Jan Dismas Zelenka, David Cordier, Ingrid Schmithusen, Larissa Malikowa, Lena Susanne Norin, Kai Wessel, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | B Minor | 2 | 10A | 98 BPM |