1895, Arthur Young's ' "Funky Forty (A Jazz Tribute)" was released on its scheduled release date, April 23, 2021. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in 1895's "Juke Joint" album is number 10 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Funky Forty (A Jazz Tribute) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Funky Forty (A Jazz Tribute) by 1895, Arthur Young to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love T.K.O. (1895 Jazz Remix) | 1895, Teddy Pendergrass | E Minor | 6 | 9A | 110 BPM | ||
| Since I Been Loving You | Michael Burks | C Minor | 5 | 5A | 72 BPM | ||
| Close To Me - Stereo Version | Sonny Boy Williamson II | D♭ Major | 4 | 3B | 94 BPM | ||
| Wake Me Up | Brian Grey | D♭ Major | 5 | 3B | 184 BPM | ||
| Same Ole Feeling | Bernard Allison | E Minor | 7 | 9A | 97 BPM | ||
| Amber Sky | Midnight Blues | E Minor | 3 | 9A | 132 BPM | ||
| Drowning at the Bottom | Albert Castiglia | C Major | 9 | 8B | 91 BPM | ||
| Blues For Louis Jordan | John Handy | D Major | 4 | 10B | 168 BPM | ||
| Too Quiet to Cry | Do Tunes | D Major | 4 | 10B | 142 BPM | ||
| Velvet Sunset | Jazz Blues Legacy | D♭ Major | 2 | 3B | 80 BPM | ||
| Just A Dream | Kim Wilson, Charles Wheal, Gary Smith, Jr. Watson, June Care, Mark Hummel, R.J. Mischo, Steve Wolf | C Major | 4 | 8B | 111 BPM | ||
| Blues Lover | Bob Margolin | G Major | 4 | 9B | 204 BPM | ||
| All Of Midnight | Brian Grey | E Minor | 4 | 9A | 133 BPM | ||
| Hell Yeah, I Bleed the Blues | Blues Man | D Minor | 3 | 7A | 82 BPM | ||
| Beaumont Blues | Phillip Walker | B Major | 3 | 1B | 190 BPM | ||
| Fire A$$ Weed | Cherone Brown | D♭ Minor | 6 | 12A | 117 BPM | ||
| I Always Get My Man | Shemekia Copeland | D♭ Minor | 7 | 12A | 109 BPM | ||
| It's A Man's, Man's, Man's World | Gerald Albright | D Minor | 5 | 7A | 120 BPM | ||
| I Done Lost My Good Thang | Terry Wright | F Minor | 3 | 4A | 140 BPM | ||
| Midnight Rain Keeps Fallin | Blues Man | B Minor | 3 | 10A | 172 BPM | ||
| I'm So Lonely | Mighty Sam McClain | C Minor | 2 | 5A | 114 BPM | ||
| The Things I Want You To Do | A.C. Reed | G Major | 6 | 9B | 84 BPM | ||
| I Choose You (1895 Jazz Remix) | 1895, Willie Hutch | E Minor | 4 | 9A | 154 BPM | ||
| Are You Sorry? | Tinsley Ellis | D Minor | 4 | 7A | 142 BPM | ||
| Blues For Martin Luther King | Ronnie Earl & The Broadcasters | F Minor | 1 | 4A | 127 BPM |