"Lament For Phaedra" by John Tavener, Maya Beiser had its release date on October 21, 2003. This song appears to be safe for all ages as it is not explicit. This song is part of World to Come by Maya Beiser. The song's track number on the album is #7 out of 7 tracks. Based on our data, United States was the country where this track was produced or recorded. Lament For Phaedra is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lament For Phaedra by John Tavener, Maya Beiser has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Lament For Phaedra being at 71 BPM, the half-time would be 36 BPM with a double-time of 142 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requiem: Psalm 121 | Herbert Howells, Conspirare, Craig Hella Johnson | B Minor | 0 | 10A | 65 BPM | ||
| Stainer: God so loved the world | The Chapel Choir of University College, Hurham, Oliver Bond | D Major | 1 | 10B | 75 BPM | ||
| Requiem: I. Requiem aeternam I | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough, Esmé Ellis | D Major | 0 | 10B | 83 BPM | ||
| The Darkness Is No Darkness | Judith Bingham, Hannah Holgersson, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 85 BPM | ||
| A Hymn to the Virgin | Benjamin Britten, Phoenix Chorale, Charles Bruffy, Kira Rugen, Amy Perciballi, Robert Comeaux, David Topping | E Major | 0 | 12B | 88 BPM | ||
| Górecki: Totus Tuus Op.60 | Henryk Górecki, The Sixteen, Harry Christophers | E♭ Major | 0 | 5B | 135 BPM | ||
| He carried me away in the spirit | James Whitbourn, Commotio, Matthew Berry | D♭ Minor | 0 | 12A | 70 BPM | ||
| Responsory "O felix anima" | Hildegard von Bingen, Anonymous 4 | B♭ Minor | 0 | 3A | 137 BPM | ||
| Missa a cappella: I. Kyrie | Einojuhani Rautavaara, Latvijas Radio koris, Sigvards Kļava | G Major | 1 | 9B | 97 BPM | ||
| The Lamb - Voice | John Tavener, Martin Neary, The Choir Of Westminster Abbey | E Minor | 0 | 9A | 89 BPM | ||
| Arvo Pärt : O Adonaï | Unknown, Mikrokosmos | D♭ Major | 0 | 3B | 168 BPM | ||
| Bogoroditse Devo, raduysia | Sergey Khvoshchinsky, The Rose Ensemble, Jordan Sramek | E♭ Major | 2 | 5B | 87 BPM | ||
| Liturgy of St. John Chrysostom, Op. 41: X. We Sing Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E Minor | 0 | 9A | 136 BPM | ||
| Requiem in D Minor, Op.48: 7. In paradisum | Gabriel Fauré, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, John Birch, Sir Neville Marriner | D Major | 0 | 10B | 72 BPM | ||
| Symphony No. 3, Op. 36 "Symphony of Sorrowful Songs": 2. Lento e largo | Henryk Górecki, Helena Wanda Błażusiakówna, Yvonne Kenny, Adelaide Symphony Orchestra, Takuo Yuasa | B♭ Minor | 0 | 3A | 90 BPM | ||
| The Fruit of Silence | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava, Vestards Šimkus | E Minor | 0 | 9A | 56 BPM | ||
| Fauré: Requiem, Op. 48: VII. In Paradisum | Gabriel Fauré, Michel Corboz, Maîtrise de Saint-Pierre-aux-Liens de Bulle, Philippe Corboz, Berner Symphonie-Orchester | F Minor | 0 | 4A | 71 BPM | ||
| Brahms / Arr Higginbottom : Geistliches Lied Op.30 | Johannes Brahms, Edward Higginbottom | E♭ Major | 1 | 5B | 67 BPM | ||
| Evening Service in B Minor, Op. 6: I. Magnificat | T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne | E Minor | 2 | 9A | 76 BPM | ||
| Requiem, Op. 9: I. Introït | Maurice Duruflé, The Choir of Magdalen College, Oxford, English Sinfonia, Martin Ford, Bill Ives | F Major | 1 | 7B | 119 BPM | ||
| In Paradisum | Christian Forshaw, VOCES8 | C Major | 0 | 8B | 138 BPM | ||
| Hymn of the Pearl | Kevin Anthony, BYU Singers, Andrew Crane | E Major | 2 | 12B | 131 BPM | ||
| Cherubic Hymn | Pavel Chesnokov, Tenebrae, Nigel Short | D Minor | 0 | 7A | 167 BPM | ||
| Requiem, Op. 48, N. 97: I. Introit et Kyrie | Gabriel Fauré, La Chapelle Royale, Ensemble Musique Oblique, Philippe Herreweghe, Les Petits Chanteurs de Saint-Louis | D Minor | 0 | 7A | 108 BPM | ||
| Symphony No. 3, Op. 36: II. Lento e Largo - Tranquillissimo | Henryk Górecki, Dawn Upshaw, London Sinfonietta, David Zinman | B♭ Minor | 1 | 3A | 70 BPM |