We Are the End's 'When Children Become Sidewalks' had a release date set for January 1, 2009. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since When Children Become Sidewalks only contains only one song in the album, we like to consider this song as a single. Based on our statistics, When Children Become Sidewalks's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since When Children Become Sidewalks by We Are the End has a tempo of 126 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With When Children Become Sidewalks being at 126 BPM, the half-time would be 63 BPM with a double-time of 252 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
The music key of this track is F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Instilling the Affliction - 2024 Remaster | Animosity | D♭ Major | 9 | 3B | 87 BPM | ||
| Winchester's Nightmare | Abel Is Dying | A♭ Major | 10 | 4B | 111 BPM | ||
| Correct Me If I'm Wrong | A BloodBath In Boston | G Major | 10 | 9B | 140 BPM | ||
| A Message For The Futile - 2024 Remaster | On Solid Ground | C Major | 8 | 8B | 113 BPM | ||
| Serpents | Annotations Of An Autopsy | A♭ Major | 10 | 4B | 132 BPM | ||
| Destroy | Demolisher | E♭ Major | 9 | 5B | 120 BPM | ||
| HOMICIDE BY #2 PENCIL | DISFIGURED | B♭ Minor | 10 | 3A | 111 BPM | ||
| That Box That Controls My Thought the Moneymaker | The Final Burden | D♭ Minor | 10 | 12A | 101 BPM | ||
| Straight from the Mind of a Modern Day Vigilante | A Black Rose Burial | B Minor | 10 | 10A | 75 BPM | ||
| The Duel | nsixhundred | A♭ Major | 10 | 4B | 121 BPM | ||
| Confined | Whisteria Cottage | B Major | 9 | 1B | 165 BPM | ||
| Indie Girl (Admiration For The Girl Without A Face) | Misericordiam | D♭ Major | 10 | 3B | 112 BPM | ||
| The Conformist | Salt The Wound | B♭ Minor | 10 | 3A | 154 BPM | ||
| Persuasions Convey My Torment | Cholera | F♯ Minor | 7 | 11A | 96 BPM | ||
| An Introduction to Bloody Knuckles and Heartbreak | Girl Of Glass | E Major | 5 | 12B | 160 BPM | ||
| You Like Knife Play? I Love Knife Play | Killwhitneydead | D♭ Major | 8 | 3B | 146 BPM | ||
| The Epidemic of Unexpected Relapses | A Black Rose Burial | B Minor | 9 | 10A | 132 BPM | ||
| Relinquished At Death | Float Face Down | F♯ Major | 10 | 2B | 115 BPM | ||
| In the Lions Den | Float Face Down | F♯ Major | 9 | 2B | 119 BPM | ||
| Empty Eyes | Disfigured Elegance | G Major | 10 | 9B | 120 BPM | ||
| It Only Hurts When I Smile | Preschool Tea Party Massacre | G Major | 6 | 9B | 155 BPM | ||
| Devils Flesh | We Are the End | F Major | 10 | 7B | 125 BPM | ||
| Never Seen Again | Last House On The Left | C Minor | 10 | 5A | 154 BPM | ||
| The Seven Works of Mercy | VICTIMBLAMED | A Major | 9 | 11B | 120 BPM | ||
| Your Broad Is Interrupted | Whisteria Cottage | D♭ Minor | 10 | 12A | 129 BPM |