Arjun R Meda, Bhavesh KR's ' "Narmada Cheating Kari Rayi" was released on its scheduled release date, February 11, 2024. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Narmada Nu Tension". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. In terms of popularity, Narmada Cheating Kari Rayi is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Narmada Cheating Kari Rayi by Arjun R Meda, Bhavesh KR having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| DJ Laine Ladi Leva Aaya Re | Parul Rathva, Chirag Machhi | E Minor | 10 | 9A | 133 BPM | ||
| Kashu Vandho Nahi Part 05 | Arjun R. Meda | G Major | 10 | 9B | 114 BPM | ||
| Bhangoriya Ne Bheed Ma Melo Chimto | Hashiram Alawe | B♭ Minor | 8 | 3A | 142 BPM | ||
| Aakha Ehav Dekhi Aavi | Anil Piplaj | G Major | 9 | 9B | 140 BPM | ||
| Munna Badanam Hua Part 5 | Ansing Katija | E♭ Minor | 9 | 2A | 117 BPM | ||
| Todi Nakhiya Te Sapna Mara | Jagdish Rathva | D Major | 9 | 10B | 132 BPM | ||
| Gadi Gadi Gadi Len Fharu | Samdu Gurjar | G Major | 8 | 9B | 144 BPM | ||
| Adla Badli Kar Janu-Pili Pataliye Behigi Janu | VK Bhuriya, Pravin R Bhabhor | E♭ Minor | 9 | 2A | 118 BPM | ||
| Mara Havajo Ni Boom Chare Kor Pade Che-Bajar Ma Boom | Narvat Rathva | F♯ Major | 9 | 2B | 132 BPM | ||
| Goro Goro So Mukhdo Nimadi Song | Mp Regional Music, Heena Dawar, Subhash Waskel | D Major | 6 | 10B | 90 BPM | ||
| Sutar Perin Uri Aav | Vishal Jamune, Naru Dawar | F♯ Major | 8 | 2B | 145 BPM | ||
| Viya Tara Nakki Kari Didha-Tara Gaam Ma Aayo Order Marva | Sandip Rathva Khatash | F Minor | 9 | 4A | 136 BPM | ||
| Janu Banayle Rangoli Dagdaya Kare Aamli | Anil Piplaj | C Major | 9 | 8B | 140 BPM | ||
| Tu Te China Itam Vo Juwanay Pt2 | Anil Piplaj | F Major | 9 | 7B | 140 BPM | ||
| Radti Hinde Tar Basene Gharema | Sanjay Mandloi | F♯ Major | 9 | 2B | 144 BPM | ||
| Balwari Jaje | Anil Piplaj | B♭ Minor | 5 | 3A | 145 BPM | ||
| Tara Paay Nu Jhajari | Nilesh Dawar, Malsingh Baghel | G Major | 8 | 9B | 144 BPM | ||
| Wate Ubheli Juvanay | Rakesh Dudwe | B Minor | 8 | 10A | 145 BPM | ||
| Chinta Chinta Ma Hukay Jeli-Sarkari | Rajendra Kotwal | B♭ Minor | 9 | 3A | 132 BPM | ||
| Khattali si Char Baje Nikalo Sarkar Bus | Kallu bandodiya2, Raghunath Vasuniya, Bhikya Vasuniya, Heera Bandodiya | G Major | 9 | 9B | 140 BPM | ||
| Happy Holi | Arvind Ahari, Kanya Lal Ahari | C Minor | 8 | 5A | 115 BPM | ||
| Chutiya Banawani Shikhi Rahi | Vikash Morya, Mahesh Dawar | G Major | 9 | 9B | 140 BPM | ||
| Labo Haido Part 7 | Deepak R Bariya | E♭ Minor | 9 | 2A | 111 BPM | ||
| Hasto Taro Chahero Ghano Pyaro | LD Dodva | F♯ Minor | 9 | 11A | 144 BPM | ||
| Tumar Tumar | V K Bhuriya | A Major | 8 | 11B | 116 BPM |