"Ave maris stella: V. Monstra te esse matrem" by Francisco Guerrero, Núria Rial, Alicia Ramonet, Lluis Vilamajo, Ignasi Jorda had its release date on January 1, 1997. With This song being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Francisco Guerrero, Musica Ficta, Raúl Mallavibarrena's "Guerrero: Motecta" album is number 12 out of 39. On top of that, Mexico appears to be the country where this track was created. In terms of popularity, Ave maris stella: V. Monstra te esse matrem is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ave maris stella: V. Monstra te esse matrem by Francisco Guerrero, Núria Rial, Alicia Ramonet, Lluis Vilamajo, Ignasi Jorda to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Guerrero: Alma mirad vuestro Dios | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 2 | 1A | 128 BPM | ||
| Sicut Cervus Desiderat | Choeur des moines de l'abbaye Notre Dame de Fontgombault, The Schola Cantorum of St. Peter's in the Loop, Lege Artis Chamber Choir, Father Michaels | E♭ Minor | 1 | 2A | 72 BPM | ||
| Relaxing Sleep Orthodox Chant Benedictine Monks | Gregorian Monk, Monks Of The Abbey Of Notre Dame, Gregorian Chants | A Minor | 2 | 8A | 129 BPM | ||
| Ige herouvimy | Ars Poliphonica | D♭ Major | 1 | 3B | 87 BPM | ||
| Guerrero: Dios los extremos condena | A5 Vocal Ensemble, Francisco Guerrero | G Minor | 1 | 6A | 126 BPM | ||
| Bænhús | Sigurður Flosason, Schola Cantorum, Hörður Áskelsson | E Minor | 1 | 9A | 149 BPM | ||
| Regna terrae | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 128 BPM | ||
| Missa de Requiem: II. Kyrie | Pierre de Manchicourt, Utopia Ensemble | F Major | 0 | 7B | 87 BPM | ||
| Madrigals, Libro 1: No. 1, Baci soavi e cari, W. 1/13 | Carlo Gesualdo, La Compagnia del Madrigale | D Major | 1 | 10B | 81 BPM | ||
| Veni sponsa Christi, a 4 | Sebastián de Vivanco, Capilla Flamenca, Dirk Snellings | B♭ Major | 2 | 6B | 98 BPM | ||
| Vespers: Lord now lettest Thou Thy servant depart | Vladislav Germanovich Agafonnikov, Russia Spiritual Revival Choir, Lev Kontorovich | G Major | 0 | 9B | 130 BPM | ||
| Morley: The First Booke of Ayres: No. 18, Sleep, Slumb'ring Eyes | Thomas Morley, Nikolaus Harnoncourt, Eugen Dombois, Nigel Rogers | A Minor | 2 | 8A | 90 BPM | ||
| Tu solus qui facis mirabilia: II. Secunda pars | Josquin des Prez, Odhecaton, Paolo da Col | D Minor | 1 | 7A | 85 BPM | ||
| Couperin, L: Suite en fa: IV. Sarabande, G. 74 (Transcr. Pierlot) | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 138 BPM | ||
| Tenebrae Responsories, Feria quinta: V. Judas mercator pessimus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | C Major | 1 | 8B | 70 BPM | ||
| MISA IN TE DOMINE SPERAVI: Gloria | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 85 BPM | ||
| Canzoni a quattro voci, Op. 1: No. 4, La Merula | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Mass for unaccompanied double choir: II. Gloria | Frank Martin, RIAS Kammerchor, Daniel Reuss | A Minor | 1 | 8A | 137 BPM | ||
| Schaffe in mir Gott ein rein Herz - Psalm 51, 12-14 | Athesinus Consort Berlin, Klaus-Martin Bresgott | E Major | 2 | 12B | 133 BPM | ||
| Missa sopra Ecco si beato giorno: Agnus Dei I | Alessandro Striggio, Le Concert Spirituel, Hervé Niquet | E Major | 0 | 12B | 57 BPM | ||
| Nunc dimittis, from Short Evening Service | Orlando Gibbons | A Major | 1 | 11B | 133 BPM | ||
| Gaude Maria virgo | Ars Poliphonica | F♯ Major | 2 | 2B | 115 BPM | ||
| Sing me to heaven | Ars Poliphonica | E Major | 0 | 12B | 135 BPM | ||
| Templum Animae - II | Gregorian Chant, Gregorian Chant Schola of Saint Meinrad Archabbey, Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Schola gregoriana mediolanensis | D♭ Minor | 2 | 12A | 95 BPM | ||
| Mass for Double Choir: Kyrie | Frank Martin, Mikaeli Chamber Choir, Anders Eby | A Minor | 0 | 8A | 88 BPM |