"Buffalo" by Fernando Velázquez had its release date on October 14, 2015. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Buffalo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 36 in Crimson Peak (Original Motion Picture Soundtrack) by Fernando Velázquez. Based on our statistics, Buffalo's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Buffalo by Fernando Velázquez is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Portrait Of A Prince | Trevor Jones | A Minor | 2 | 8A | 71 BPM | ||
| But She'll Be OK, Right? | Fernando Velázquez | C Major | 1 | 8B | 58 BPM | ||
| A Man of My Company | Dominik Scherrer | E Minor | 1 | 9A | 133 BPM | ||
| A Tale | Javier Navarrete | A Minor | 0 | 8A | 70 BPM | ||
| Arrival at the Island | Mike Higham, Matthew Margeson | C Minor | 2 | 5A | 76 BPM | ||
| Distilling Roses | Johnny Klimek, Reinhold Heil, Tom Tykwer, Sir Simon Rattle, Berliner Philharmoniker | F Minor | 1 | 4A | 78 BPM | ||
| Prologue - The Highest Point | Johnny Klimek, Reinhold Heil, Tom Tykwer, Sir Simon Rattle, Berliner Philharmoniker, State Choir Latvija | F Major | 1 | 7B | 92 BPM | ||
| El Tercer Cuento | Fernando Velázquez | E Minor | 0 | 9A | 109 BPM | ||
| The Mortal Cup | Atli Örvarsson | D Minor | 2 | 7A | 66 BPM | ||
| They Were Starting to Like Me | David Hirschfelder | G Minor | 1 | 6A | 115 BPM | ||
| Dickensian Theme | Debbie Wiseman, The Locrian Ensemble Of London | F Major | 1 | 7B | 99 BPM | ||
| The Proposal (Under The Horse Chestnut Tree) | Isobel Waller-Bridge, David Schweitzer | C Major | 1 | 8B | 85 BPM | ||
| Starry Night Over The Rhone | Clint Mansell | D Major | 2 | 10B | 106 BPM | ||
| Erase the Past | Joseph Trapanese, The Budapest Art Orchestra | A♭ Major | 1 | 4B | 72 BPM | ||
| Marquis | Daniel Pemberton | A Minor | 1 | 8A | 134 BPM | ||
| Milk and Cookies | Christian Henson | G Minor | 0 | 6A | 152 BPM | ||
| The Search for Emily | Christopher Willis | A Minor | 2 | 8A | 72 BPM | ||
| Bloomsbury | Amelia Warner | C Major | 1 | 8B | 81 BPM | ||
| To Speed You on Your Way | Trevor Jones | A Minor | 1 | 8A | 132 BPM | ||
| Grey Comes Back | Rachel Portman | F Minor | 0 | 4A | 151 BPM | ||
| Path of Paternal Secrets | Junkie XL | F Minor | 3 | 4A | 145 BPM | ||
| Edge Of A Cliff | Daniel Pemberton | C Major | 1 | 8B | 81 BPM | ||
| Front Titles (Inkheart) | Javier Navarrete | B Minor | 1 | 10A | 66 BPM | ||
| Camilla's Theme (Roque Baños Plays) | Roque Baños | D♭ Minor | 0 | 12A | 66 BPM | ||
| Elizabeth - Original Motion Picture Soundtrack: Love Theme | David Hirschfelder, Unknown Orchestra | B♭ Major | 1 | 6B | 80 BPM |