Roberto Fonseca's ' "Para Que no Hables" was released on its scheduled release date, 1999. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Tiene Que Ver". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Spain. Based on our statistics, Para Que no Hables's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Para Que no Hables by Roberto Fonseca having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Zamazu | Roberto Fonseca, Javier Zalba, Omar Gonzalez, Emilio Monte Valdes, Ramses Rodriguez, Emilio Del Monte Mata | F Minor | 7 | 4A | 125 BPM | ||
| A mi Qué? | Cuban Old Music | F Major | 5 | 7B | 123 BPM | ||
| Souffle #9 | Naïssam Jalal, Emile Parisien | A Minor | 2 | 8A | 58 BPM | ||
| Esse Emme - Duo Version | Ibrahim Maalouf | B♭ Major | 2 | 6B | 125 BPM | ||
| The Smile of Rita | Ibrahim Maalouf | G Minor | 7 | 6A | 176 BPM | ||
| Cavalcada | Jeanne Michard, Clement Simon, Natascha Rogers, Pedro Barrios, Maurizio Congiu | E♭ Major | 4 | 5B | 113 BPM | ||
| Moon of Knives | Shai Maestro | A♭ Minor | 7 | 1A | 114 BPM | ||
| Na Na Na | L'Antidote, Bijan Chemirani, Redi Hasa, Rami Khalife | D Minor | 5 | 7A | 126 BPM | ||
| Lo Que Fue | Daymé Arocena | A Major | 8 | 11B | 126 BPM | ||
| Re-Imagined | Peter Somuah | G Major | 7 | 9B | 93 BPM | ||
| Stone of Hope | Roberto Fonseca | C Major | 4 | 8B | 90 BPM | ||
| Little sunflower | Hugo Lippi, Stéphane Belmondo | C Major | 4 | 8B | 180 BPM | ||
| New Middle East | Omer Avital | D Minor | 6 | 7A | 108 BPM | ||
| Chasing the Rabbit | Adam Ben Ezra | G Major | 7 | 9B | 92 BPM | ||
| Amadeus Guanguanco | Joachim Horsley | B♭ Major | 8 | 6B | 111 BPM | ||
| BIRTH OF NOHAM | Robinson Khoury | B Major | 3 | 1B | 147 BPM | ||
| Rachel | Roberto Fonseca | B Minor | 9 | 10A | 148 BPM | ||
| Grand large | Hadouk Trio, Didier Malherbe, Loy Ehrlich | D Minor | 4 | 7A | 168 BPM | ||
| Clandestin | Fatoumata Diawara, Roberto Fonseca | D♭ Major | 7 | 3B | 175 BPM | ||
| Freedom Jazz Dance | David Helbock, Julia Hofer, Veronika Harcsa | G Major | 1 | 9B | 71 BPM | ||
| Pinwheel | Sammy Miller and the Congregation | G Major | 4 | 9B | 136 BPM | ||
| Madiba | Matthieu Saglio | G Major | 4 | 9B | 144 BPM | ||
| Huayno - Latin Version | Ana Carla Maza | C Major | 5 | 8B | 173 BPM | ||
| Chet | Tómas R. Einarsson, Óskar Guðjónsson | E Minor | 2 | 9A | 82 BPM | ||
| Togo | Henri Texier | E Minor | 4 | 9A | 104 BPM |