Little Man Tate's ' "Audrey Hepburn" was released on its scheduled release date, September 15, 2008. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Nothing Worth Having Comes Easy (Special Edition)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. The popularity of Audrey Hepburn is currently below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Audrey Hepburn by Little Man Tate having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bittersweet | The Rosadocs | B Minor | 8 | 10A | 137 BPM | ||
| Backfire at the Disco | The Wombats | A Major | 8 | 11B | 162 BPM | ||
| Back Where We Started | The Twang | G Major | 8 | 9B | 120 BPM | ||
| We Were Aborted | The Cribs | B Minor | 9 | 10A | 159 BPM | ||
| Jacqueline | The Coral | F♯ Major | 8 | 2B | 127 BPM | ||
| Can't Get Along (Without You) | Hard-Fi | C Major | 9 | 8B | 118 BPM | ||
| Downing Street Kindling - New Version | Larrikin Love | G Major | 9 | 9B | 162 BPM | ||
| The State of Things | Reverend And The Makers | D Major | 8 | 10B | 138 BPM | ||
| Work Work Work - Pub Club Sleep | The Rakes | E Major | 9 | 12B | 145 BPM | ||
| Back of the Pub Quiz | Little Man Tate | C Major | 9 | 8B | 150 BPM | ||
| Dreams, Schemes & Young Teams | Shambolics | A♭ Major | 2 | 4B | 80 BPM | ||
| Love Steals Us from Loneliness | Idlewild | D♭ Major | 8 | 3B | 204 BPM | ||
| Torn on the Platform | Jack Peñate | A Major | 9 | 11B | 116 BPM | ||
| Pressure Point | The Zutons | B Major | 9 | 1B | 175 BPM | ||
| Oh What Have You Done | Twisted Wheel | C Major | 10 | 8B | 87 BPM | ||
| Either Way | The Twang | D Major | 9 | 10B | 114 BPM | ||
| Blood Thirsty Bastards | Dirty Pretty Things | D♭ Minor | 8 | 12A | 157 BPM | ||
| Mr Glassalfempty | Reverend And The Makers | F♯ Minor | 4 | 11A | 132 BPM | ||
| Hole In The Bed | The View | A Major | 5 | 11B | 81 BPM | ||
| Cheap Stolen Kisses | Little Man Tate | G Major | 9 | 9B | 162 BPM | ||
| Take Her Back | The Pigeon Detectives | C Major | 10 | 8B | 109 BPM | ||
| Double Yellow Lines | The View | D Major | 10 | 10B | 142 BPM | ||
| We Share the Same Skies | The Cribs | A♭ Minor | 9 | 1A | 147 BPM | ||
| Twenty Nothing | Spector | D Major | 9 | 10B | 159 BPM | ||
| Happy Pills | The Blue Collars | D♭ Minor | 7 | 12A | 137 BPM |