Esther Walker's ' "I Left My Sugar Standing In the Rain (Recorded October 1927)" was released on its scheduled release date, December 15, 2014. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 1920's Blues & Jazz Vocals, Vol. 2 (Recorded 1926-1927), so we believe that "I Left My Sugar Standing In the Rain (Recorded October 1927)" is a single. In terms of popularity, I Left My Sugar Standing In the Rain (Recorded October 1927) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of I Left My Sugar Standing In the Rain (Recorded October 1927) by Esther Walker is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Red Hot Mama | Sophie Tucker | D Major | 3 | 10B | 91 BPM | ||
| No Man's Mama - A Woman's Choice | Ethel Waters | F♯ Major | 3 | 2B | 112 BPM | ||
| In the Hush of the Night | Lee Morse | B♭ Major | 1 | 6B | 134 BPM | ||
| Oh, You Crazy Moon | Bea Wain | G Minor | 2 | 6A | 79 BPM | ||
| Lambeth Walk | Eddie Cantor | G Minor | 2 | 6A | 79 BPM | ||
| Get out and Get Under the Moon | Van & Schenck | D♭ Minor | 1 | 12A | 130 BPM | ||
| An' Furthermore | Irving Aaronson and His Commanders | E♭ Major | 5 | 5B | 115 BPM | ||
| Go Back Where You Stayed Last Night - What's Good For The Goose | Ethel Waters | A♭ Major | 2 | 4B | 122 BPM | ||
| I Called to Say Goodnight | Nick Lucas | G Minor | 2 | 6A | 79 BPM | ||
| The Parlor Is a Pleasant Place to Sit on Sunday Night | Frank Crumit | G Minor | 2 | 6A | 79 BPM | ||
| Nobody's Using It Now | Marion Harris | G Minor | 2 | 6A | 79 BPM | ||
| Some of These Days | Sophie Tucker | G Minor | 2 | 6A | 79 BPM | ||
| That's My Weakness Now | Helen Kane | G Minor | 2 | 6A | 79 BPM | ||
| Yes Indeed He Do | Porter Grainger, Ernest Elliott, Bob Fuller, Bessie Smith | A♭ Major | 3 | 4B | 120 BPM | ||
| Shadow Waltz | Rudy Vallee and His Connecticut Yankees | G Minor | 2 | 6A | 79 BPM | ||
| If I Had a Talking Picture of You | Jack Hylton, Jack Hylton & His Orchestra | F Minor | 2 | 4A | 97 BPM | ||
| I've Got a Feeling I'm Falling | Annette Hanshaw | G Major | 3 | 9B | 85 BPM | ||
| A Little Kiss Each Morning | Century Jukebox, Public Domain, Rudy Vallee and His Connecticut Yankees | A♭ Major | 3 | 4B | 94 BPM | ||
| Three O' Clock In the Morning | Paul Whiteman | G Minor | 2 | 6A | 79 BPM | ||
| I Want a Girl | Dan Hornsby Trio | F♯ Minor | 5 | 11A | 119 BPM | ||
| The Aba Daba Honeymoon (Victor 17620A) [Recorded 1914] | Arthur Collins, Byron Harlan | C Major | 3 | 8B | 95 BPM | ||
| There is a Tavern in the Town | Rudy Vallee | B♭ Major | 5 | 6B | 115 BPM | ||
| You've Got The Right Key, But The Wrong Keyhole | Virginia Liston | C Major | 1 | 8B | 86 BPM | ||
| You Can Have My Man If He Comes To See You Too | Alberta Hunter | A Minor | 2 | 8A | 83 BPM | ||
| I Ain't Got Nobody - Alternate Take | Sophie Tucker, Miff Mole's Molers | G Minor | 2 | 6A | 79 BPM |