- BPM
- 84
- Key
- G Minor
- Camelot
- 6A
Chanson Triste Op. 40_ No. 2 by Beeth Moz Song Details
"Chanson Triste Op. 40_ No. 2" by Beeth Moz had its release date on January 1, 2016. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 26 in the song's album "Tchaikovsky (Gold Classics)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United Kingdom. Chanson Triste Op. 40_ No. 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Chanson Triste Op. 40_ No. 2 by Beeth Moz having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
Music Key
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 10%
- Loudness
- -20.088 dB
- Acousticness
- 98%
- Danceability
- 9%
- Energy
- 12%
- Instrumentalness
- 90%
- Liveness
- 8%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 6%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Carmen Suite No.1: Séguidille | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 0 | 10B | 172 BPM | |
 | The Nutcracker Op. 71 Final Waltz and Apotheosis | Czech Symphony Orchestra, Michaela Rózsa Růžičková | B♭ Major | 3 | 6B | 94 BPM | |
 | Humoresque Op. 10_ No. 2 | Beeth Moz | G Major | 1 | 9B | 98 BPM | |
 | Symphony N°40 in G minor, K 550: I. Molto Allegro | London Symphony Orchestra | G Minor | 2 | 6A | 115 BPM | |
 | Symphony No. 67 in F Major, Hob.I:67: I. Presto | Joseph Haydn, Nicolaus Esterhazy Sinfonia, Béla Drahos | F Major | 0 | 7B | 72 BPM | |
| Piano Concerto No. 1 in B-Flat Minor Op. 23_ I. Allegro non troppo e molto maestoso | Beeth Moz | D♭ Major | 1 | 3B | 87 BPM | |
![Louisen-Polka (Louisina Polka): Louisa's Polka [orch. I. Krejci] by Bedřich Smetana, Slovak Radio Symphony Orchestra, Robert Stankovsky](https://i.scdn.co/image/ab67616d00001e023d6e2255c88932729e60c957) | Louisen-Polka (Louisina Polka): Louisa's Polka [orch. I. Krejci] | Bedřich Smetana, Slovak Radio Symphony Orchestra, Robert Stankovsky | E♭ Major | 0 | 5B | 85 BPM | |
 | Romance No. 1 In G Major, Op. 40 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | G Major | 0 | 9B | 88 BPM | |
 | Dance Of The Blessed Spirits | Munich Chamber Orchestra, Hanspeter Gmür | C Major | 2 | 8B | 66 BPM | |
 | Giselle / Act 1: Pas de deux des jeunes paysans (Valse) | Adolphe Adam, Friedrich Burgmüller, Monte-Carlo Philharmonic Orchestra, Richard Bonynge | B Major | 0 | 1B | 127 BPM | |
 | Piano Concerto in A Minor, Op. 54: III. Allegro vivace | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | C Major | 3 | 8B | 78 BPM | |
 | Tchaikovsky: The Nutcracker, Ballet Op. 71, Act II: Troisieme Tableau, No. 11 Scene: Andante con moto | Pyotr Ilyich Tchaikovsky, Vladimir Fedoseyev, Moscow RTV Symphony Orchestra | C Major | 1 | 8B | 99 BPM | |
| Swan Lake Op. 20_ III. Dance of the Swans | Beeth Moz | E Major | 2 | 12B | 134 BPM | |
 | Suppé: Dichter und Bauer: Overture (Andante maestoso - Allegro strepitoso) | Franz von Suppé, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 2 | 6B | 78 BPM | |
 | Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Shardad Rohani, Slovak Radio Symphony Orchestra | F Major | 1 | 7B | 113 BPM | |
 | Piano Concerto No. 21 in C Major, K.467: II. Andante | Wolfgang Amadeus Mozart, Jan Lisiecki, Bavarian Radio Symphony Orchestra, Christian Zacharias | F Major | 0 | 7B | 68 BPM | |
 | Violin Concerto In D Major, Op. 35: Violin Concerto In D Major, Op. 35: II. Canzonetta: Andante | Slovak Philharmonic, Takako Nishizaki, Pyotr Ilyich Tchaikovsky | E♭ Major | 0 | 5B | 177 BPM | |
 | The Bat, Overture (Die Fledermaus) | Ljubljana Symphony Orchestra, Anton Nanut | D Major | 2 | 10B | 85 BPM | |
 | Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 1. Allegro vivace | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | |
 | Morgenblätter, Op.279 'Morning papers' | Johann Strauss II, Willi Boskovsky, Wiener Johann Strauss Orchester | C Major | 1 | 8B | 100 BPM | |
 | Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 12 in F-Sharp Minor, Op. 30, No. 6, "Venezianisches Gondellied" | Felix Mendelssohn, Jenő Jandó | F♯ Minor | 0 | 11A | 67 BPM | |
 | L'italiana in Algeri: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 143 BPM | |
 | Piano Concerto No. 2 in F minor, Op. 21: 2. Larghetto | Frédéric Chopin, Vladimir Ashkenazy, London Symphony Orchestra, David Zinman | A♭ Major | 1 | 4B | 90 BPM | |
 | Suite No. 4 in G Major, Op. 61, "Mozartiana": III. Preghiera | Pyotr Ilyich Tchaikovsky, Radio Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | B♭ Major | 0 | 6B | 79 BPM | |
| Carmen Suite No. 2: III. Nocturne (Act III, MIcaëla's Aria) | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 101 BPM |
- ISRC
- GBSMU3230932
- Label
- L-M Records/RCA Records