Rajendra Vaishampayan's 'Purnasatya' had a release date set for April 1, 2009. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Purnasatya's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rajendra Vaishampayan's "Mann Samvad" album is number 41 out of 56. On top of that, India appears to be the country where this track was created. Purnasatya is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Purnasatya by Rajendra Vaishampayan to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Adi shiv | Harshit Tiwari, Mrityunjay Hirmeth, Mritunjay Hirmeth | E♭ Minor | 2 | 2A | 92 BPM | ||
| Pathirakha | Mangesh Borgaonkar, M.D.Saurabh | D Major | 4 | 10B | 130 BPM | ||
| Hanuman Ashtottara Shatnamavali | Sriparna Chatterjee | G Major | 3 | 9B | 111 BPM | ||
| Anantha Padmanabhaswamy Ashtottara Shata Namavalli | Veeramani Kannan | A Major | 4 | 11B | 94 BPM | ||
| Atma Shatakam | Saaswathi Prabhu | F Major | 4 | 7B | 120 BPM | ||
| Maha Sudarshana Mantram | Bhandhavi | A♭ Minor | 3 | 1A | 82 BPM | ||
| ओम राधा माधव संयोगिनी नमः | Premanand Maharaj | A Major | 5 | 11B | 147 BPM | ||
| Panchayudha Stotram | Bhandhavi | E Minor | 5 | 9A | 151 BPM | ||
| Navgrah Beej Mantra | Vishal Khera | F♯ Major | 4 | 2B | 96 BPM | ||
| Poorva Nayasam | J. Bhaktavatsalam, Ganesan, Na | C Major | 7 | 8B | 127 BPM | ||
| Sri Yantrodhara Hanumata Stotra | Puttur Narasimha Nayak, Harsha Rao, Sri Mukund | C Major | 6 | 8B | 72 BPM | ||
| Narasimha Kavacha Stotram | Diya Jha, JIYA JHA | B♭ Major | 2 | 6B | 84 BPM | ||
| Shri Vishnu Mahamantra | Shrikrishna Sawant | F Major | 1 | 7B | 140 BPM | ||
| Kali Brahma | Telly Durga | E Minor | 6 | 9A | 165 BPM | ||
| Gaato Vasudev Mi Eka | Baba Maharaj Satarkar | D Minor | 7 | 7A | 110 BPM | ||
| Datta Stavam | Sri Ganapathy Sachchidananda Swamiji | B♭ Major | 2 | 6B | 85 BPM | ||
| Guru Stotram Akhanda Mandalakaram (Sanskrit Shloka in praise of the Guru) | Jaya Vidyasagar | F♯ Minor | 1 | 11A | 132 BPM | ||
| Sri Batuka Bhairava Kavacham | Bhandhavi | A♭ Major | 3 | 4B | 92 BPM | ||
| Adhyayam, Pt .13 | J. Bhaktavatsalam, Ganesan, Na | C Major | 7 | 8B | 112 BPM | ||
| Lakshmi Ganesh Stotram | Priyani-Bhakti | G Major | 2 | 9B | 116 BPM | ||
| Saptashati Ahdyay 2 | Rajendra Vaishampayan | A♭ Major | 4 | 4B | 82 BPM | ||
| Etrayo Nalayi | Amma | G Major | 5 | 9B | 84 BPM | ||
| Dhoomra Lochana Vadhaha | S.Prakash Kaushik | C Major | 3 | 8B | 103 BPM | ||
| Jiva Jago | Jai Sachinandan Das | A Minor | 4 | 8A | 102 BPM | ||
| Jai Jai Raam Krishna Hari | Rajendra Vaishampayan | D♭ Major | 2 | 3B | 110 BPM |