"The Window" by Bernard Herrmann had its release date on January 1, 1997. With This song being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 40 in the song's album "Psycho (The Complete Original Motion Picture Score)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Based on our statistics, The Window's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Window by Bernard Herrmann having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stranded | Mark Korven | A♭ Minor | 3 | 1A | 87 BPM | ||
| Hell's Picture Scroll | Toru Takemitsu | F Major | 1 | 7B | 125 BPM | ||
| Phalanx Suite: Phalanx II | R.Kuhn, Rüdiger Edgar Kuhn | C Major | 3 | 8B | 143 BPM | ||
| The Mass | Andy Maranell, Andy Mardan | C Minor | 2 | 5A | 85 BPM | ||
| Ghost I | Fernando Velázquez | C Major | 1 | 8B | 81 BPM | ||
| Enter the Clown | Richard Bellis | D Major | 1 | 10B | 85 BPM | ||
| Overture | Alex North | A Major | 3 | 11B | 100 BPM | ||
| Miniature No. 6 | Jette Mogensen | A♭ Major | 0 | 4B | 99 BPM | ||
| Meeting Edward Gracey | Mark Mancina | F Major | 0 | 7B | 128 BPM | ||
| Hellraiser | Christopher Young | A♭ Major | 1 | 4B | 89 BPM | ||
| The Book of Evil | Joseph Loduca | E♭ Minor | 3 | 2A | 119 BPM | ||
| The Streets | Bernard Herrmann | F Major | 2 | 7B | 66 BPM | ||
| Saint Maud Main Theme | Adam Janota Bzowski | D♭ Major | 1 | 3B | 92 BPM | ||
| Risen | Ceyran Huseynova, Feirn Mont | F Major | 3 | 7B | 94 BPM | ||
| Party, Crash | Colin Stetson | B♭ Minor | 2 | 3A | 150 BPM | ||
| Metropolis, Op. 29, Act I "Auftakt": Die Ewigen Gärten | Gottfried Huppertz, Deutsches Symphonie-Orchester Berlin, Frank Strobel | B Major | 1 | 1B | 132 BPM | ||
| Six Robots - Score Version | John Barry | D Minor | 3 | 7A | 93 BPM | ||
| Just Me | Maria Korbova, Mery Leon | C Major | 1 | 8B | 110 BPM | ||
| Lucy's Party | Wojciech Kilar | D♭ Minor | 0 | 12A | 81 BPM | ||
| The Giant Wakes | Michael Kamen | G Major | 2 | 9B | 173 BPM | ||
| The Inn/Moroi | Robin Carolan | D Major | 2 | 10B | 87 BPM | ||
| Near the End | Paulo Thomas, Paul Thomas | E♭ Minor | 2 | 2A | 67 BPM | ||
| Looks Like Rain | Roque Baños | C Major | 0 | 8B | 57 BPM | ||
| I'm Sam Bell, Too... | Clint Mansell | B Major | 2 | 1B | 109 BPM | ||
| The Dark Room | Danny Bensi and Saunder Jurriaans | D Major | 2 | 10B | 75 BPM |